Sheldon Gallery [1].

Sheldon Gallery [1].

(May 1921 – April 1922)

Commercial gallery. Located: Australia (QLD).

WORKS 1 – 20 of 32 IMAGES ONLY
Artist: Barker, David. | Title: A doorway in Judea. | Date: (1919) | Technique: etching and foul biting, printed in warm black ink with plate-tone, from one plate

David Barker (1888–1946)

A doorway in Judea.

((1919))

etching and foul biting

Artist: Barker, David. | Title: A tomb in Bethlehem. | Date: (1919) | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

David Barker (1888–1946)

A tomb in Bethlehem.

((1919))

etching and foul biting

Artist: LINDSAY, Lionel | Title: Afternoon | Date: 1908-09 | Technique: etching, aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Afternoon | Pan

(1908-09)

etching

Artist: LINDSAY, Lionel | Title: Arcadia Alley, Pitt Street, Sydney | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Arcadia Alley, Pitt Street, Sydney | Arcadian Alley

(1919)

etching

Artist: Coffey, Alfred. | Title: Argyle cut, old Sydney. | Date: 1910 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Alfred Coffey (1869–1950)

Argyle cut, old Sydney.

(1910)

etching

Artist: LINDSAY, Lionel | Title: Bilgola | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Bilgola | She-oaks, Bilgola

(1921)

drypoint

Artist: Coffey, Alfred. | Title: Bottle and Glass Rocks, Sydney Harbour. | Date: 1908 | Technique: etching, printed in black ink, from one plate

Alfred Coffey (1869–1950)

Bottle and Glass Rocks, Sydney Harbour.

(1908)

etching

Artist: LINDSAY, Lionel | Title: Desolation | Date: 1919 | Technique: spirit-aquatint with burnished hightlights, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Desolation

(1919)

spirit-aquatint with burnished hightlights

Artist: MORT, Eirene | Title: Elizabeth Farm, Parramatta | Date: 1920 | Technique: etching, printed in black ink, from one plate

Eirene Mort (1879–1977)

Elizabeth Farm, Parramatta | Elizabeth Farm House, Parramatta

(1920)

etching

Artist: TRAILL, Jessie | Title: Friendly trees | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Jessie Traill (1881–1967)

Friendly trees

(1921)

etching

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Gamecocks, Spain

(1919)

etching

Artist: LINDSAY, Norman | Title: Good morning | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

Norman Lindsay (1879–1969)

Good morning

(1921)

etching

Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1920 | Technique: etching and aquatint, printed in brown ink, from one zinc plate

Jessie Traill (1881–1967)

Hole in the trees

(c.1920)

etching and aquatint

Artist: LINDSAY, Lionel | Title: Hulks, Berry's Bay | Date: 1920 | Technique: etching, aquatint and foul biting, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Hulks, Berry's Bay

(1920)

etching

Artist: Coffey, Alfred. | Title: Kirribilli Wharf, Neutral Bay, Sydney Harbour. | Date: 1914 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

Alfred Coffey (1869–1950)

Kirribilli Wharf, Neutral Bay, Sydney Harbour.

(1914)

etching and aquatint

Artist: TRAILL, Jessie | Title: L'homme qui boit [the man who drinks] | Date: 1914 | Technique: etching and aquatint, printed in warm black ink with plate-tone, from one plate

Jessie Traill (1881–1967)

L'homme qui boit [the man who drinks]

(1914)

etching and aquatint

Artist: LINDSAY, Lionel | Title: Mardi Gras, Serville, Spain | Date: 1919 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Mardi Gras, Serville, Spain | Spanish ladies

(1919)

drypoint

Artist: URE SMITH, Sydney | Title: Musgrave Street from Cremorne. | Date: 1916 | Technique: etching, printed in brown ink with plate-tone, from one copper plate

Sydney Ure Smith (1887–1949)

Musgrave Street from Cremorne. | Musgrave Street, Mosman.

(1916)

etching

Artist: Shaw, Gayfield. | Title: Out back. | Date: 1925 | Technique: etching, printed in black ink, from one plate

Gayfield Shaw (1885–1961)

Out back.

(1925)

etching

Artist: MORT, Eirene | Title: Pont de Sucre, Bruges | Date: 1912 | Technique: etching, printed in black ink, from one plate

Eirene Mort (1879–1977)

Pont de Sucre, Bruges

(1912)

etching