Sedon Galleries [1]

Sedon Galleries [1]

(13 October 1925)

Commercial gallery. Located: Australia (VIC).

WORKS 301 – 320 of 427 IMAGES ONLY

Lewis Baumer (1870–1963)

The Divan.

James Flett (1906–1986)

The Dominican.

Lionel Lindsay (1874–1961)

The Doric Porch.

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The drafting gate, Bendemeer

(1925)

drypoint

Herbert Gallop (1890–1958)

The drinking pool.

(1920)

Thomas Friedensen (1879–1931)

The Drovers.

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Emperor | Head of a cock | The white cock | The white cockerel

(1922)

wood-engraving

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

Henri Van Raalte (1881–1929)

The end of day

(c.1927)

aquatint

William Strang (1859–1921)

The Errand.

Norman Lindsay (1879–1969)

The fan

(1917)

etching

Herbert Gallop (1890–1958)

The farm sheds.

(1922)

Harold Herbert (1891–1945)

The fisherman's yard.

Artist: Waller, M. Napier. | Title: The flight | Date: c.1925 | Technique: linocut, printed in colour, from multiple blocks

M. Napier Waller (1893–1972)

The flight

(c.1925)

linocut

Artist: LINDSAY, Lionel | Title: The fountain | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The fountain

(1922)

wood-engraving

L. Bouet (1926–)

The Fruit Market.

Thomas Friedensen (1879–1931)

The Grand Canal, Venice.

Sydney Long (1871–1955)

The Hawkesbury River at Wiseman's Ferry.

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

Harold Herbert (1891–1945)

The haystacks

(c.1928)

etching

Thelma Thompson (1920–)

The Hermitage Bell.

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

Harold Herbert (1891–1945)

The hermitage, Martigue. | An old monastery, Les Martiques.

(c.1921)

drypoint