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Artist: Long, Sydney. | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: Angas, George French. | Title: The River Murray above Moorundie. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

Artist: Angas, George French. | Title: The River Murray above Moorundie. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

Artist: Angas, George French. | Title: The River Murray, near Lake Alexandrina. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

Artist: Angas, George French. | Title: The River Murray, near Lake Alexandrina. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

Artist: Long, Sydney. | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: Shirlow, John. | Title: The Riverside | Date: 1895 | Technique: etching, printed in black ink with plate-tone, from one copper plate

Artist: Glover, Allan. | Title: The riverside mill | Date: 1927 | Technique: etching, printed in brown ink, from one plate

Artist: Kamp, Jenni. | Title: The road game | Date: 1997, May - June | Technique: lithograph, printed in black ink, from one stone; handcoloured

Artist: Darbyshire, Beatrice. | Title: The road to Balingup. | Date: c.1933 | Technique: etching, printed in warm black ink with plate-tone, from one copper plate

Artist: Herbert, Harold. | Title: The roadside cottage | Date: c.1933 | Technique: lithograph, printed in black ink, from one stone

Artist: Traill, Jessie. | Title: The roadside, Flanders | Date: 1907 | Technique: etching, drypoint and foul biting, printed in brown ink with plate-tone, from one plate

Artist: Traill, Jessie. | Title: The roadside, Flanders | Date: 1907 | Technique: etching, drypioint and foul biting, printed in brown ink with plate-tone, from one plate

Artist: AMOR, Rick | Title: The rock and the sea. | Date: 1990, July | Technique: etching, printed in black ink, from one plate | Copyright: Image reproduced courtesy the artist and Niagara Galleries, Melbourne

Artist: AMOR, Rick | Title: The rock and the sea. | Date: 1990 | Technique: woodcut, printed in black ink, from one block

Artist: LINDSAY, Lionel | Title: The Rocks, from Princes Street | Date: 1931 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: LINDSAY, Lionel | Title: The Rocks, from Princes Street | Date: 1931 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: Hopkins, Livingston. | Title: The Rocks, Govenor Bourke Hotel. | Date: 1886 | Technique: etching and aquatint, printed in brown ink, from one plate

Artist: SIDMAN, William | Title: The Rocks, old Sydney | Date: 1911, September | Technique: etching, printed in black ink, from one copper plate

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