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Artist: Rees, Lloyd. | Title: The Summit, Ball's Head | Date: 1978 | Technique: softground etching, printed in blue ink with plate-tone, from one zinc plate | Copyright: © Alan and Jancis Rees

Artist: MACKINOLTY, Chips | Title: The Sun - Official! Uranium income to finance mutation research. | Date: 1977 | Technique: screenprint, printed in colour, from two stencils

Artist: MACKINOLTY, Chips | Title: The Sun - Official! Uranium income to finance mutation research. | Date: 1977 | Technique: screenprint, printed in colour, from two stencils

Artist: HANRAHAN, Barbara | Title: The sun is up | Date: 1983 | Technique: wood-engraving, printed in black ink, from one block

Artist: Brack, John. | Title: The sun lamps. | Date: 1966 (dated) | Technique: etching and aquatint, printed with plate-tone, from one copper plate | Copyright: © Helen Brack

Artist: Brack, John. | Title: The sun lamps. | Date: 1966 (dated) | Technique: etching, printed in black ink, from one copper plate | Copyright: © Helen Brack

Artist: UNKNOWN | Title: The Sun-Herald: Food Riot. | Date: c.1979 | Technique: screenprint, printed in colour, from four stencils

Artist: Kelly, John. | Title: The sun-lovers | Date: 2002 | Technique: etching, printed in black ink, from one plate | Copyright: © John Kelly. Licensed by VISCOPY, Australia.

Artist: LINDSAY, Lionel | Title: The Sundowner | Date: 1921 | Technique: aquatint and burnishing, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: LINDSAY, Lionel | Title: The Sundowner | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: Davey, William J. | Title: The sundowner | Date: 1930s | Technique: wood-engraving, printed in brown and yellow ink, from two blocks

Artist: Pratt, Douglas. | Title: The sunlit forge. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Artist: Coburn, John. | Title: The sunlit plains | Date: 2003 | Technique: aquatint, printed in colour, from multiple plates

Artist: Bennett, Gordon. | Title: The superimposed footprint (after Margaret Preston) | Date: 1997, September | Technique: lithograph, printed in colour, from five photo-lithographic plates | Copyright: © Gordon Bennett, Licensed by VISCOPY, Australia

Artist: GRIFFITH, Pamela | Title: The Supreme Court, Sydney | Date: 1982 | Technique: hardground-etching, aquatint and burnishing, printed in warm black ink, from one zinc plate | Copyright: © Pamela Griffith

Artist: BOYD, Arthur | Title: The survivor. | Date: 1971 | Technique: etching, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Artist: BOYD, Arthur | Title: The survivor. | Date: 1971 | Technique: etching, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Artist: BOYD, Arthur | Title: The survivor. | Date: 1971 | Technique: etching, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Artist: BOYD, Arthur | Title: The survivor. | Date: 1971 | Technique: etching, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Artist: BOYD, Arthur | Title: The survivor. | Date: 1971 | Technique: etching, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

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