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Title: The Red House Farm, Windsor in New South Wales. | Date: c.1810 | Technique: engraving, printed in black ink, from one copper plate; hand-coloured

Artist: TRAILL, Jessie | Title: The red light, Harbour Bridge, June 1931. | Date: 1932 | Technique: aquatint and etching, printed in brown ink with plate-tone, from one plate; additional hand-colouring

Artist: PRESTON, Margaret | Title: The red road to Mulgoa. | Date: 1944 | Technique: woodcut, printed in colour, from one masonite block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Artist: Cummings, Elizabeth. | Title: The red table. | Date: 2001 | Technique: etching and aquatint, printed in colour, from five plates

Artist: LONG, Sydney | Title: The reflected mill | Date: 1919 | Technique: line-etching and aquatint, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: Counihan, Noel. | Title: The relieving priest. | Date: 1981 | Technique: lithograph, printed in black ink, from one stone

Artist: McBurnie, Ron. | Title: The reluctant return of the button eyed cat | Date: 1988 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Ron McBurnie

Artist: UNKNOWN | Title: The Removalists - Nimrod Street Theatre | Date: c.1974

Artist: UNKNOWN | Title: The Renaissance players | Date: 1976 | Technique: screenprint, printed in colour, from two stencils

Artist: Stejskal, Josef Lada. | Title: The Rep. Theatre at Bondi presents ... Tom Stoppard: Dogg's Hamlet, Cahoot's Macbeth; Edward Bond: The Fool | Date: 1983 | Technique: offset-lithograph, printed in black ink, from one plate

Artist: Cant, James. | Title: The reptile | Date: 1948 | Technique: cliche-verre, printed in blue pigment, from one hand-drawn glass plate

Artist: Cant, James. | Title: The reptile. | Date: 1948 | Technique: cliche-verre, printed in blue pigment, from one paper plate

Artist: STONE, T.M. (Bauxhau) | Title: The Republic | Date: 1986 | Technique: aquatint, etching printed in black ink, from one plate

Artist: EWINS, Rod | Title: The Residence.. | Date: 1983 | Technique: screenprint

Artist: EWINS, Rod | Title: The Residence (The Residence I). | Date: 1983, January | Technique: photo-etching and aquatint, printed in black ink, from one plate

Artist: LYCETT, Joseph | Title: The residence of Edward Riley Esq., Woolloomooloo, near Sydney, N.S.W. | Date: 1825 | Technique: etching, aquatint and roulette, printed in black ink, from one copper plate; hand-coloured

Artist: LYCETT, Joseph | Title: The residence of John McArthur [sic] Esq. near Parramatta, New South Wales. | Date: 1825 | Technique: etching, aquatint and roulette, printed in black ink, from one copper plate; hand-coloured

Title: The residence of W. Wilson esq. J.P. | Date: 1834 | Technique: lithograph, printed in black ink, from one stone

Artist: Werner, Baynard. | Title: The rest is silence | Date: 1976 | Technique: screenprint, printed in colour, from multiple stencils

Artist: MUSEUM CURATORS CLASS | Title: The restoration of the 'Deposition from the Cross' by Raphael. A photographic exhibition. | Date: 1976 | Technique: screenprint, printed in purple ink, from one stencil

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