Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse: T

IMAGES 1881 – 1900 of 4384

Sort By:

Results per page:

Artist: ROSENGRAVE, Harry | Title: The mill stream | Date: 1957 | Technique: linocut, printed in colour, from four blocks

Artist: UNKNOWN | Title: The mill, Braidwood | Date: 1977 | Technique: screenprint, printed in colour, from two stencils

Artist: Dickerson, Robert. | Title: The mime. | Date: 1977 | Technique: etching and aquatint, printed in black ink, from one zinc plate

Artist: Counihan, Noel. | Title: The miner. | Date: 1947 | Technique: linocut, printed in black ink, from one block

Title: The miner's dream of home | Date: c.1900 | Technique: lithograph, printed in colour, from multiple stones

Artist: UNKNOWN, | Title: The Ministers and their cronies off to Botany Bay and the Dorchester men returning | Date: 1834 | Technique: woodcut, printed in black ink, from one block

Artist: GRIFFITH, Pamela | Title: The Mint, 1982 | Date: 1982 | Technique: hardground-etching, aquatint, and burnishing, printed in black ink, from one on one zinc plate | Copyright: © Pamela Griffith

Artist: MADDOCK, Bea | Title: The miracle | Date: 1964 | Technique: monotype, printed in oil paint, from one glass plate

Artist: Lanceley, Colin. | Title: The Miraculous Mandarin Suite. | Date: 1966 | Technique: screenprint, printed in black ink, from one stencil | Copyright: © Colin Lanceley. Licensed by VISCOPY, Australia

Artist: Green, Mike. | Title: The mirror. | Date: 1989 | Technique: screenprint, printed in colour, from 15 stencils

Artist: Blackman, Charles. | Title: The mirror. | Date: (1976) | Technique: etching, printed in black ink, from one plate

Artist: Flett, James. | Title: The mirror. | Date: c.1930 | Technique: linocut, printed in colour, from multiple blocks

Artist: BALDESSIN, George | Title: The mirror. | Date: 1965 | Technique: colour etching and aquatint printed in intaglio and in relief [the co applied to the plate...]

Artist: Dyson, Will. | Title: The misery of rest camps. | Date: 1918 | Technique: lithograph, printed in black ink, from one stone

Artist: LINDSAY, Lionel | Title: The Mitchell Library, Sydney | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: Groblicka, Lidia. | Title: The model. | Date: 1954 | Technique: woodcut, printed in black ink, from one block

Artist: Blackman, Charles. | Title: The model airplane. | Date: 1984 | Technique: screenprint, printed in black ink, from one stencil

Artist: Allen, Davida | Title: The model art teacher | Date: 1991, July - September | Technique: etching, printed in black ink, from one plate; hand-coloured

Artist: WORSTEAD, Paul | Title: The Modern Nonsense and Sheila | Date: 1978 | Technique: screenprint, printed in black ink, from one stencil | Copyright: This work appears on screen courtesy of the artist

Artist: PLATT, Austin | Title: The Modern School, Perth | Date: 1937 | Technique: etching, printed in black ink, from one plate

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login