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WORKS 2481 – 2500 of 32118 IMAGES ONLY
Artist: WALKER, Murray | Title: Behind Kanumbra (Victoria) | Date: 1963 | Technique: drypoint, printed in black ink, from one plate

Murray Walker (1937–)

Behind Kanumbra (Victoria)

(1963)

drypoint

Artist: AMOR, Rick | Title: Behind Russell Street. | Date: 1990 | Technique: etching, printed in black ink, from one plate

Rick Amor (1948–)

Behind Russell Street.

(1990)

etching

Artist: MADDOCK, Bea | Title: Being and nothingness by Jean-Paul Sartre. | Date: 1982 | Technique: handwritten text

Bea Maddock (1934–2016)

Being and nothingness by Jean-Paul Sartre.

(1982)

handwritten text

Title: Being and nothingness by Jean-Paul Sartre [preface] | Date: 1982 | Technique: handwritten pages

Being and nothingness by Jean-Paul Sartre [preface]

(1982)

handwritten pages

Title: Being and nothingness by Jean-Paul Sartre [title page] | Date: 1982 | Technique: handwritten pages

Being and nothingness by Jean-Paul Sartre [title page]

(1982)

handwritten pages

Artist: Rankin, David. | Title: Being under a tree | Date: 1975, March | Technique: lithograph, printed in colour, from two stones [or plates] [blue and grey ink]

David Rankin (1946–)

Being under a tree

(1975, March)

lithograph

Artist: MEYER, Bill | Title: Beitzim | Date: 1992 | Technique: etching, printed in sepia ink, from one plate; a la poupée | Copyright: © Bill Meyer

Bill Meyer (1942–)

Beitzim

(1992)

etching

Artist: Tabacco, Wilma. | Title: Belaqua. | Date: 1988 | Technique: etching, printed in black ink, from one plate | Copyright: © Wilma Tabacco.

Wilma Tabacco (1953–)

Belaqua.

(1988)

etching

Artist: Baldwinson, Arthur. | Title: Belcher Fountain, Geelong. | Date: 1928 | Technique: etching, printed with plate-tone in dark brown ink, from one plate

Arthur Baldwinson (1908–1969)

Belcher Fountain, Geelong.

(1928)

etching

Artist: Parsons, Elizabeth. | Title: Belfry at All Saints, St. Kilda | Date: 1882 | Technique: lithograph, printed in black ink, from one stone

Elizabeth Parsons (1831–1897)

Belfry at All Saints, St. Kilda

(1882)

lithograph

Artist: ROSENGRAVE, Harry | Title: Belgrave rail [1]. | Date: 1952 | Technique: linocut, printed in black ink, from one block

Harry Rosengrave (1899–1986)

Belgrave rail [1].

(1952)

linocut

Artist: ROSENGRAVE, Harry | Title: Belgrave rail [1]. | Date: 1953 | Technique: linocut, printed in black ink, from one block

Harry Rosengrave (1899–1986)

Belgrave rail [1].

(1953)

linocut

Artist: ROSENGRAVE, Harry | Title: Belgrave rail [2]. | Date: 1952 | Technique: linocut, printed in colour, from four blocks

Harry Rosengrave (1899–1986)

Belgrave rail [2].

(1952)

linocut

Artist: ROSENGRAVE, Harry | Title: Belgrave rail [2]. | Date: 1952 | Technique: linocut, printed in colour, from four blocks

Harry Rosengrave (1899–1986)

Belgrave rail [2].

(1952)

linocut

Artist: Azlan. | Title: Believe the media. | Date: 2003 | Technique: laser printed in black ink

Azlan. (1975–)

Believe the media.

(2003)

laser printed in black ink

Artist: Band, David. | Title: (Bell) | Date: 1995, September - October | Technique: etching, lift-ground and aquatint, viscosity printed in colour, from two plates

David Band (1959–2011)

(Bell)

(1995, September - October)

etching

Artist: Neilson, Janet. | Title: Bell | Date: 1997 | Technique: etching and aquatint, printed in colour, from two plates

Janet Neilson (1957–)

Bell

(1997)

etching and aquatint

Artist: Neilson, Janet. | Title: Bell #2 | Date: 1997 | Technique: etching and aquatint, printed in colour, from two plates

Janet Neilson (1957–)

Bell #2

(1997)

etching and aquatint

Artist: Neilson, Janet. | Title: Bell 3 | Date: 1997 | Technique: etching and aquatint, printed in colour, from two plates

Janet Neilson (1957–)

Bell 3

(1997)

etching and aquatint

Artist: MONKEE, | Title: Bella. | Date: 2004 | Technique: stencil, printed in purple ink, from one stencil

MONKEE, (1984–)

Bella.

(2004)

stencil