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WORKS 25141 – 25160 of 32133 IMAGES ONLY
Artist: Bailey, Angela. | Title: Still Spirit Rose - Flaming Star '93 calendar. | Date: 1992 | Technique: screenprints, printed in colour, each from one stencil

Angela Bailey (1994–)

Still Spirit Rose - Flaming Star '93 calendar.

(1992)

screenprints

Artist: Neilson, Janet. | Title: Still view #1 | Date: 1996, August - September | Technique: etching and aquatint, printed in dark brown ink, from one plate

Janet Neilson (1957–)

Still view #1

(1996, August - September)

etching and aquatint

Artist: Neilson, Janet. | Title: Still view #2 | Date: 1996, August - September | Technique: etching and aquatint, printed in ochre/brown ink, from one plate

Janet Neilson (1957–)

Still view #2

(1996, August - September)

etching and aquatint

Artist: Wallis, Raymond. | Title: (Still waters in the Bay) | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Raymond Wallis (1900–1983)

(Still waters in the Bay)

(1920)

drypoint

Artist: Lincoln, Kevin. | Title: Still-life | Date: 1982 (dated) | Technique: drypoint, printed in black ink, from one perspex plate; hand-coloured

Kevin Lincoln (1941–)

Still-life

(1982 (dated))

drypoint

Artist: Thake, Eric. | Title: Still-life on the lease | Date: 1932 | Technique: linocut, printed in black ink, from one block

Eric Thake (1904–1982)

Still-life on the lease

(1932)

linocut

Artist: Hobson, Silas. | Title: Stingaree | Date: 1998 | Technique: etching, printed in blue ink, from one plate

Silas Hobson (1978–)

Stingaree

(1998)

etching

Artist: GRIFFITH, Pamela | Title: Stingray | Date: 1980 | Technique: etching, aquatint, air gun resist, marbelling printed in colour from two zinc plates | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

Stingray

(1980)

etching

Artist: Platt, Leroy. | Title: Stingray | Date: 1998, April | Technique: screenprint, printed in colour, from multiple stencils

Leroy Platt

Stingray

(1998, April)

screenprint

Artist: TUNGUTALUM, Bede | Title: Stingray | Date: 1970s | Technique: woodcut, printed in black ink, from one block | Copyright: © Bede Tungutalum, Licensed by VISCOPY, Australia

Bede Tungutalum (1952–)

Stingray

(1970s)

woodcut

Artist: Sandy, Evelyn. | Title: Stingrays | Date: 1997, November | Technique: screenprint, printed in yellow ochre and black ink, from multiple stencils

Evelyn Sandy (1990–)

Stingrays

(1997, November)

screenprint

Artist: Chapman, Dora. | Title: Stipa. | Date: 1970 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Dora Chapman, Licensed by VISCOPY, Australia

Dora Chapman (1911–1995)

Stipa.

(1970)

screenprint

Artist: GRIFFITH, Pamela | Title: Stirling Range studies. | Date: 1999 | Technique: hardground-etching and aquatint, printed in colour a la poupée, from one copper plate; additional hand-tinting

Pamela Griffith (1943–)

Stirling Range studies.

(1999)

hardground-etching and aquatint

Artist: Harding, Richard. | Title: Stockade Au Go-Go | Date: 1994 | Technique: digital print from collage, printed in colour

Richard Harding (1959–2025)

Stockade Au Go-Go

(1994)

digital print from collage

Artist: Gill, S.T. | Title: Stockman | Date: 1865 | Technique: lithograph, printed in colour, from seven stones

S.T. Gill (1818–1880)

Stockman

(1865)

lithograph

Artist: Gill, S.T. | Title: Stockman. | Date: 1855-56 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

Stockman.

(1855-56)

lithograph

Artist: Gill, S.T. | Title: Stockman. | Date: c.1854 | Technique: lithograph, printed in colour, from two stones (black and buff)

S.T. Gill (1818–1880)

Stockman.

(c.1854)

lithograph

Title: Stockman | Date: 1865 | Technique: lithograph, printed in colour, from multiple stones

Stockman

(1865)

lithograph

Artist: Shead, Garry. | Title: Stockman's dream | Date: 2006, March | Technique: etching, printed in six colours, from four plates | Copyright: © Garry Shead

Garry Shead (1942–)

Stockman's dream

(2006, March)

etching

Artist: Boynes, Robert. | Title: Stoke at rich. | Date: 1973 | Technique: screenprint, printed in colour, from three stencils (cobalt, yellow and magnesium black ink)

Robert Boynes (1942–)

Stoke at rich.

(1973)

screenprint