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WORKS 28481 – 28500 of 32133 IMAGES ONLY
Artist: Groblicka, Lidia. | Title: The waiting room | Date: 1954-55 | Technique: woodcut, printed in black ink, from one block

Lidia Groblicka (1933–2012)

The waiting room

(1954-55)

woodcut

Artist: Dickerson, Robert. | Title: The waiting room | Date: 1990 | Technique: lithograph, printed in black ink, from one stone

Robert Dickerson (1924–2015)

The waiting room

(1990)

lithograph

Artist: Groblicka, Lidia. | Title: The waiting room | Date: 1953-54 | Technique: etching, printed in black ink, from one plate

Lidia Groblicka (1933–2012)

The waiting room

(1953-54)

etching

Artist: Morgan, Sally. | Title: The walk | Date: 1990 | Technique: screenprint, printed in black ink, from one stencil

Sally Morgan (1951–)

The walk

(1990)

screenprint

Artist: Brack, John. | Title: The walking frame. | Date: 1966 | Technique: etching, printed in black ink, from one plate | Copyright: © Helen Brack

John Brack (1920–1999)

The walking frame.

(1966)

etching

Artist: Allen, Joyce. | Title: The wall. | Date: 1989 | Technique: linocut, printed in black ink, from one block

Joyce Allen (1916–1992)

The wall.

(1989)

linocut

Artist: Allen, Joyce. | Title: The wall. | Date: 1990 | Technique: linocut, printed in black ink, from one block

Joyce Allen (1916–1992)

The wall.

(1990)

linocut

Artist: Allen, Joyce. | Title: The wall | Technique: linocut, printed in black ink, from one block

Joyce Allen (1916–1992)

The wall

linocut

Artist: TIPPING, Richard | Title: The walls have ears | Date: 1979 | Technique: screenprint, printed in red ink, from one stencil

Richard Tipping (1949–)

The walls have ears

(1979)

screenprint

Artist: Hunter, William. | Title: The wanderer | Date: 1940s | Technique: etching and aquatint, printed in brown ink, from one plate

William Hunter (1899–1963)

The wanderer

(1940s)

etching and aquatint

Artist: Donaldson, Kim. | Title: The wardrobe | Date: 1986 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Kim Donaldson. Licensed by VISCOPY, Australia

Kim Donaldson (1956–)

The wardrobe

(1986)

lithograph

Artist: Gleeson, William. | Title: The warning | Date: 1955 | Technique: linocut, printed in black ink, from one block | Copyright: This work appears on screen courtesy of the artist

William Gleeson (1927–1999)

The warning

(1955)

linocut

Artist: Adams, Tate. | Title: The warrior. | Date: 1960 | Technique: linocut, printed in colour, from mutliple blocks

Tate Adams (1922–2018)

The warrior.

(1960)

linocut

Artist: Kempf, Franz. | Title: The Wars of Gog. | Date: 1966 (dated) | Technique: screenprint, printed in colour inks, from multiple stencils | Copyright: © Franz Kempf

Franz Kempf (1926–2020)

The Wars of Gog.

(1966 (dated))

screenprint

Artist: LINDSAY, Lionel | Title: The wash, Taormina | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The wash, Taormina

(1927)

drypoint

Artist: Barwell, Jennifer. | Title: (The watchful eye). | Date: c.1954 | Technique: sugar aquatint, printed in brown ink from one plate

Jennifer Barwell (1932–)

(The watchful eye). | The seekers

(c.1954)

sugar aquatint

Artist: Storrier, Tim. | Title: The water - Camp 5 | Date: 1977 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Tim Storrier

Tim Storrier (1949–)

The water - Camp 5

(1977)

screenprint

Artist: Leason, Percy. | Title: The water cart | Date: 1921 | Technique: etching, printed in black ink, from one plate | Copyright: Permission granted in memory of Percy Leason

Percy Leason (1889–1959)

The water cart

(1921)

etching

Artist: Harbeck, Ron. | Title: The water hole. | Date: 1986 | Technique: screenprint, printed in colour, from five stencils

Ron Harbeck (1989–)

The water hole.

(1986)

screenprint

Artist: Long, Sydney. | Title: The water meads | Date: 1928 | Technique: line-etching, drypoint printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The water meads

(1928)

line-etching