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WORKS 3721 – 3740 of 32122 IMAGES ONLY
Artist: LINDSAY, Lionel | Title: Bread and oil, Jerez de los Caballero, Spain | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Bread and oil, Jerez de los Caballero, Spain

(1929)

etching

Artist: LINDSAY, Lionel | Title: Bread and oil, Jerez de los Caballeros, Spain | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Bread and oil, Jerez de los Caballeros, Spain

(1929)

etching

Artist: UNKNOWN | Title: Bread line circus | Date: 1979 | Technique: screenprint, printed in colour, from multiple stencils

UNKNOWN

Bread line circus

(1979)

screenprint

Artist: Jill Posters. | Title: Bread not bombs | Date: 1983-84 | Technique: screenprint, printed in colour, from multiple stencils

Jill Posters. (1983–1987)

Bread not bombs

(1983-84)

screenprint

Artist: Croston, Doug | Title: Break with the past. | Date: 1973, January | Technique: screenprint, printed in colour, from six stencils | Copyright: Courtesy of the artist

Doug Croston (1915–2005)

Break with the past.

(1973, January)

screenprint

Artist: WICKS, Arthur | Title: Breaker II | Date: 1974 | Technique: photo-screenprint

Arthur Wicks (1937–)

Breaker II

(1974)

photo-screenprint

Artist: Mitchell, Thomas. | Title: Breakers on the rocks | Date: c.1838 | Technique: wood-engraving, printed in black ink, from one block; with gouache additions

Thomas Mitchell (1792–1855)

Breakers on the rocks

(c.1838)

wood-engraving

Artist: LINDSAY, Lionel | Title: Breakfast | Date: 1923 | Technique: softground etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Breakfast

(1923)

softground etching and aquatint

Artist: Walker, Deborah. | Title: Breakfast [1] | Date: 1985 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: © Deborah Walker. Licensed by VISCOPY, Australia

Deborah Walker (1954–)

Breakfast [1]

(1985)

drypoint

Artist: Walker, Deborah. | Title: Breakfast [2]. | Date: 1985 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: © Deborah Walker. Licensed by VISCOPY, Australia

Deborah Walker (1954–)

Breakfast [2].

(1985)

drypoint

Artist: Bourke, Collien. | Title: Breaking dawn | Date: 1990 | Technique: etching, printed in black ink with plate-tone, from four copper plates

Collien Bourke (1990–)

Breaking dawn

(1990)

etching

Artist: Cooney, Robert. | Title: Breaking point. | Date: 1985 | Technique: engraved lino block

Robert Cooney (1953–)

Breaking point.

(1985)

engraved lino block

Artist: Heysen, Hans. | Title: Breaking the clod. | Date: 1907 | Technique: monotype, printed in brown ink, from one plate

Hans Heysen (1877–1968)

Breaking the clod.

(1907)

monotype

Artist: SCHMEISSER, Jorg | Title: Breaking the ice [a] | Date: 2002-3 | Technique: etching, printed in blue/black ink, from one plate | Copyright: © Jörg Schmeisser

Jorg Schmeisser (1942–2012)

Breaking the ice [a]

(2002-3)

etching

Artist: SCHMEISSER, Jorg | Title: Breaking the ice [b] | Date: 2002-3 | Technique: etching, printed in blue/black ink, from one plate | Copyright: © Jörg Schmeisser

Jorg Schmeisser (1942–2012)

Breaking the ice [b]

(2002-3)

etching

Artist: Avitabile, Robert. | Title: Breaking the surface | Date: 1990 | Technique: linocut, printed in black ink, from one block | Copyright: Linocut © 1990 Robert Avitabile

Robert Avitabile (1990–)

Breaking the surface

(1990)

linocut

Artist: BOYD, Arthur | Title: (Breaking waves). | Date: 1973-74 | Technique: aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

(Breaking waves).

(1973-74)

aquatint

Artist: MEYER, Bill | Title: Breast fright | Date: 1969 | Technique: linocut, printed in two colours, from reduction block process | Copyright: © Bill Meyer

Bill Meyer (1942–)

Breast fright

(1969)

linocut

Artist: Alexander, George. | Title: Breath score: book with [4] pp, folded in half, handsewn, from the portfolio Rare birds with sticky wings. | Date: c.1978 | Technique: colour photocopy, rubber stamps

George Alexander (1970–)

Breath score: book with [4] pp, folded in half, handsewn, from the portfolio "Rare birds with sticky wings".

(c.1978)

colour photocopy

Artist: Gittoes, George. | Title: Breather | Date: 1991 | Technique: etching, printed in black ink, from one plate

George Gittoes (1949–)

Breather

(1991)

etching