Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse

WORKS 5301 – 5320 of 32126 IMAGES ONLY

Sort By:

Results per page:

Artist: Little, Colin | Title: Come up and see some etchings, [by J. Lieberman] Sydney University Memorial Gallery | Date: 1972 | Technique: screenprint, printed in colour inks, from four stencils

Artist: WILLIAMS, Fred | Title: Comedian | Date: 1955-56 | Technique: etching and drypoint, printed in black ink, from one copper plate | Copyright: © Fred Williams Estate

Artist: Allport, Mary Morton. | Title: Comet of March 1843 seen from Aldridge Lodge V.D. Land. | Date: 1846 | Technique: lithograph, printed in black ink, from one stone

Artist: Comfortable Artworks Inc. | Title: Comfortable Artwords | Date: c.1970 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Comfortable Artworks Inc. | Title: Comfortable Artwords | Date: c.1970 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Comfortable Artworks Inc. | Title: Comfortable Artwords | Date: c.1970 | Technique: screenprint, printed in colour, from multiple stencils

Title: Comic of smallness | Date: 2009, October

Title: Comic of smallness: the return! | Date: 2009, November

Artist: UNKNOWN | Title: Comics - moral conditioning or violence conditioning | Date: 1979 | Technique: screenprint, printed in colour, from four stencils

Artist: SABATINO, Nino | Title: Coming of the missionaries, St Joseph Church, Hammond Island | Date: c.2002 | Technique: linocut, printed in black ink, from one block

Artist: UNKNOWN | Title: Coming soon: Ritz high | Date: 1976 | Technique: screenprint, printed in colour, from multiple stencils

Artist: UNKNOWN | Title: Coming soon: Ritz high | Date: 1976 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Earle, Augustus. | Title: Coming to an anchor off Sydney Cove. | Date: 10 August 1830 (imprint) | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Artist: Jesse, Joan. | Title: Coming up fir air; Gippsland forests are pining away. (Poster for Environment Protest Street Exhibition and Street Theatre, | Date: (1976) | Technique: linocut, printed in black ink, from one block

Artist: MEYER, Bill | Title: Comme un bétail pensif. | Date: 1970 | Technique: screenprint, printed in eleven colours, from one hand cut indirect screen, one open block out screen , and multiple ortho and halftone screens | Copyright: © Bill Meyer

Artist: Haxton, Elaine | Title: Commedia del arte | Date: 1967 | Technique: open-bite etching and aquatint, printed in blue ink

Artist: Haxton, Elaine | Title: Commedia del arte | Date: 1968 | Technique: open-bite etching and aquatint printed in grey ink; sprinkled with gold dust

Artist: Haxton, Elaine | Title: Commedia del arte | Date: 1968 | Technique: open-bite etching and aquatint

Artist: Haxton, Elaine | Title: Commedia del Arte | Date: 1967 | Technique: open-bite etching and aquatint, printed in colour

Artist: Bienstock, Sam. | Title: Commemoration Masked Ball | Date: 1972 | Technique: screenprint, printed in colour, from multiple stencils

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login