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WORKS 5421 – 5440 of 32046 IMAGES ONLY
Artist: Flett, James. | Title: Contents Page. | Date: 1931 | Technique: letterpress

James Flett (1906–1986)

Contents Page.

(1931)

letterpress

Artist: Bauer, Ferdinand. | Title: Contents page (ii). | Date: 1806-13 | Technique: engraving, printed in black ink, from one plate; letterpress

Ferdinand Bauer (1760–1826)

Contents page (ii).

(1806-13)

engraving

Title: Contents text page | Technique: letterpress

Contents text page

letterpress

Artist: UNKNOWN | Title: Continuing education programmes. | Date: 1979 | Technique: screenprint, printed in colour, from two stencils

UNKNOWN

Continuing education programmes.

(1979)

screenprint

Artist: Fisher, John | Title: Continuous work 3, hole in the head. | Technique: audio tape

John Fisher (1921–)

Continuous work 3, hole in the head.

audio tape

Title: Contradictions | Date: 1988 | Technique: screenprint, printed in colour, from six stencils

Contradictions

(1988)

screenprint

Artist: Hinder, Frank. | Title: Contrapuntal | Date: 1973 | Technique: lithograph, printed in colour, from two stones

Frank Hinder (1906–1992)

Contrapuntal

(1973)

lithograph

Artist: Sharp, James. | Title: Contrasts | Date: 1968 | Technique: aquatint, printed in black ink with plate-tone, from one plate | Copyright: © Estate of James Sharp

James Sharp (1905–1985)

Contrasts

(1968)

aquatint

Artist: Ely, Bonita. | Title: Controlled atmosphere Inc. | Date: 1983 | Technique: photocopy

Bonita Ely (1946–)

Controlled atmosphere Inc.

(1983)

photocopy

Title: Controller [sticker] | Technique: screenprint, printed red and black ink, from two stencils

Controller [sticker]

screenprint

Artist: LINDSAY, Lionel | Title: Convent of Los Capucins, Seville | Date: 1908 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Convent of Los Capucins, Seville | Los Capucins Monastery, Seville

(1908)

etching

Artist: LINDSAY, Lionel | Title: Convent of Santa Eufemia, Antequera | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Convent of Santa Eufemia, Antequera | Santa Eufemia

(1928)

drypoint

Artist: Platt, Austin. | Title: Convent of the Sacred Heart, Rose Bay | Date: 1936 | Technique: etching, printed in black ink, from one plate

Austin Platt (1912–2003)

Convent of the Sacred Heart, Rose Bay

(1936)

etching

Title: Convergence | Date: 1978 | Technique: woodcut, printed in colour, from multiple blocks; linocut, printed in black ink, from one block; collagraph, printed in colour, from multiple blocks

Convergence

(1978)

woodcut

Artist: Pieper, Brian. | Title: Conversation | Date: 1988 | Technique: etching and aquatint, printed in colour, from mulitple plates | Copyright: © Brian Pieper

Brian Pieper (1953–)

Conversation

(1988)

etching and aquatint

Artist: Drummond, Andrew. | Title: Conversation between two animals - with reference to alter ego. | Date: 1978 | Copyright: © Andrew Drummond

Andrew Drummond (1951–)

Conversation between two animals - with reference to alter ego.

(1978)

Artist: HANRAHAN, Barbara | Title: Conversation with flowers | Date: 1974 | Technique: etching, printed in black ink with plate-tone, from one plate

Barbara Hanrahan (1939–1991)

Conversation with flowers

(1974)

etching

Artist: Weiss, Gali | Title: Conversations | Date: 1999, 27 October | Technique: etching, printed in black ink, from one plate

Gali Weiss (1954–)

Conversations

(1999, 27 October)

etching

Artist: Weiss, Gali | Title: Conversations | Date: 1999 | Technique: etching, printed in black ink, from one plate

Gali Weiss (1954–)

Conversations

(1999)

etching

Artist: Dunlop, Brian. | Title: Convict hulk | Date: 1986 | Technique: lithograph, printed in black ink, from one stone

Brian Dunlop (1938–2009)

Convict hulk

(1986)

lithograph