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WORKS 5841 – 5860 of 32046 IMAGES ONLY

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Artist: Shead, Garry. | Title: Currawong | Date: 1991-94 | Technique: etching and aquatint, printed in black ink from one plate. | Copyright: © Garry Shead

Artist: Shead, Garry. | Title: Currawong | Date: 1991-94 | Technique: etching and aquatint, printed in green and brown inks, from two plates | Copyright: © Garry Shead

Artist: LINDSAY, Lionel | Title: 'Currency Lass' stables, Parramatta | Date: 1920 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: BALDESSIN, George | Title: Curtain. | Date: 1970 | Technique: etching and aquatint, printed in black ink, from two plates; stencil, printed in green ink, from one stencil.

Artist: Warren, Guy. | Title: Curtain. | Date: 1987 | Technique: linocut, printed in black ink, from one block

Artist: Lee, Graeme. | Title: Curtain person | Date: 1997, August | Technique: lithograph, printed in colour, from four stones

Artist: REDDINGTON, Charles | Title: (Curtains) | Date: (1987) | Technique: lithograph, printed in black ink, from one stone [or plate]

Title: Curves showing the horary motions for April, 1859. | Date: 1860 | Technique: lithograph, printed in blue and red ink, from one stone

Artist: Sharp, James. | Title: Cuspate form | Date: 1972 | Technique: lithograph, printed in colour, from multiple stones [or plates] | Copyright: © Estate of James Sharp

Artist: Freedman, Harold. | Title: Customs House - Yarra River - Queens Bridge. | Date: 1962 | Technique: lithograph

Artist: Jack, Kenneth. | Title: Customs House, Brisbane | Date: 1965 | Technique: screenprint, printed in colour, from 12 stencils | Copyright: © Kenneth Jack. Licensed by VISCOPY, Australia

Artist: MEYER, Bill | Title: Cuts and little floating bits | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate (pre-coated photo-engraving mitsui) | Copyright: © Bill Meyer

Artist: Faulkner, Sarah | Title: Cutting cane | Date: 1992 | Technique: lithograph, printed in black ink, from one stone

Artist: MEYER, Bill | Title: Cutting in space | Date: 1981 | Technique: etching and aquatint, printed in black ink, from one zinc plate (mitsui, precoated photo-engraving) | Copyright: © Bill Meyer

Artist: MEYER, Bill | Title: Cutting the concrete softness | Date: 1981 | Technique: screenprint, printed in seven colours, from six screens (half tone photo images and indirect hand-cut stencils) | Copyright: © Bill Meyer

Artist: Armstrong, Ian. | Title: (Cutting toenails). | Date: 1950s | Technique: etching, drypoint printed in brown ink (from one plate)

Title: CV part 1 in Bruno Leti: Landscapes, memories and fantasies | Date: 1987 | Technique: offset-lithograph, printed in black ink, from one plate

Title: CV part 2 in Bruno Leti: Landscapes, memories and fantasies | Date: 1987 | Technique: offset-lithograph, printed in black ink, from one plate

Artist: MADDOCK, Bea | Title: CXV | Date: (1966-67) | Technique: etching, printed in black ink, from two abutted zinc plates

Artist: MADDOCK, Bea | Title: CXVI | Date: (1966) | Technique: etching, printed in black ink, from one zinc plate

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