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WORKS 20721 – 20740 of 54694 IMAGES ONLY
Artist: Groblicka, Lidia. | Title: Jew's children | Date: 1954-55 | Technique: linocut, printed in black ink, from one block

Lidia Groblicka (1933–2012)

Jew's children

(1954-55)

linocut

Jessie Traill (1881–1967)

Jewel Necklace.

aquatint

Artist: Keeling, David. | Title: (jewellery). | Date: 1996 | Technique: lithograph, printed in colour, from two stone plates | Copyright: This work appears on screen courtesy of the artist and copyright holder

David Keeling (1951–)

(jewellery).

(1996)

lithograph

Muirhead Bone (1876–1953)

Jews' Quarter, Leeds.

etching

Artist: Black Cat Collective. | Title: Jibaro Yankkki Si No. | Date: c.1986 | Technique: screenprint, printed in colour, from multiple stencils

Black Cat Collective. (1981–)

Jibaro Yankkki Si No.

(c.1986)

screenprint

Van Wieringen (1943–)

Jiggy jiggy.

(1979)

screenprint

Artist: SELLBACH, Udo | Title: (Jigsaw) | Date: 1964 | Technique: etching and aquatint printed in black ink, from one plate

Udo Sellbach (1927–2006)

(Jigsaw)

(1964)

etching and aquatint printed in black ink

Artist: SELLBACH, Udo | Title: (Jigsaw) | Date: 1964 | Technique: etching and aquatint printed in black ink, from one plate

Udo Sellbach (1927–2006)

(Jigsaw)

(1964)

etching and aquatint printed in black ink

Barbara Hanrahan (1939–1991)

Jigsaw 1966 Artists Proof.

Artist: SELLBACH, Udo | Title: (Jigsaw of bodies) | Date: 1965 | Technique: etching printed in black ink, from one plate

Udo Sellbach (1927–2006)

(Jigsaw of bodies)

(1965)

etching printed in black ink

Artist: SELLBACH, Udo | Title: (Jigsaw of bodies) | Date: 1965 | Technique: etching and aquatint printed in black ink, from one plate

Udo Sellbach (1927–2006)

(Jigsaw of bodies)

(1965)

etching and aquatint printed in black ink

Artist: SELLBACH, Udo | Title: (Jigsaw of bodies) | Date: 1965 | Technique: etching and aquatint printed in black ink, from one plate

Udo Sellbach (1927–2006)

(Jigsaw of bodies)

(1965)

etching and aquatint printed in black ink

Artist: Pike, Jimmy. | Title: Jila Japingka | Date: 1991 | Technique: screenprint, printed in colour, from multiple stencils

Jimmy Pike (1940–2002)

Jila Japingka

(1991)

screenprint

Artist: Pike, Jimmy. | Title: Jila Jumu | Date: 1985 | Technique: screenprint, printed in black ink, from one stencil

Jimmy Pike (1940–2002)

Jila Jumu

(1985)

screenprint

Artist: Kantilla, Kitty. (Kutuwalumi Purawarrumpatu). | Title: Jilamara #1 | Date: 2001 | Technique: lithograph, printed in colour, from two aluminium plates | Copyright: © Kitty Kantilla and Jilamara Arts + Craft

Kitty. (Kutuwalumi Purawarrumpatu). Kantilla (1928–2003)

Jilamara #1

(2001)

lithograph

Artist: Kantilla, Kitty. (Kutuwalumi Purawarrumpatu). | Title: Jilamara #2 | Date: 2001 | Technique: lithograph, printed in colour, from two aluminium plates | Copyright: © Kitty Kantilla and Jilamara Arts + Craft

Kitty. (Kutuwalumi Purawarrumpatu). Kantilla (1928–2003)

Jilamara #2

(2001)

lithograph

Artist: RED HAND PRINT | Title: Jilamarra | Date: 1998, 2 February | Technique: screenprint, printed in colour, from multiple stencils

RED HAND PRINT (1997–2000)

Jilamarra

(1998, 2 February)

screenprint

Artist: RED HAND PRINT | Title: Jilamarra | Date: 1998, 2 February | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Janice Murray and Jilamara Arts + Craft

RED HAND PRINT (1997–2000)

Jilamarra

(1998, 2 February)

screenprint

Artist: Murray, Janice. | Title: Jilamarra | Date: 1995, November | Technique: linocut, printed in black ink, from one block | Copyright: © Janice Murray and Jilamara Arts + Craft

Janice Murray (1966–)

Jilamarra

(1995, November)

linocut

Artist: Kantilla, Kitty. (Kutuwalumi Purawarrumpatu). | Title: Jilamarra - 4 blocks of solid 'spot' with lines radiating to the top infill of dots between the lines | Date: 1997, November | Technique: etching, printed in colour, from multiple zinc plates

Kitty. (Kutuwalumi Purawarrumpatu). Kantilla (1928–2003)

Jilamarra - 4 blocks of solid 'spot' with lines radiating to the top infill of dots between the lines

(1997, November)

etching