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Artist: WILLIAMS, Fred | Title: John Perceval | Date: 1958 | Technique: drypoint, printed in black ink, from one copper plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

John Perceval

(1958)

drypoint

Artist: WILLIAMS, Fred | Title: John Perceval painting | Date: 1958 | Technique: drypoint, printed in black ink, from one copper plate; touched with pencil | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

John Perceval painting

(1958)

drypoint

Artist: ARNOLD, Raymond | Title: John R. Neeson: Ten years in black and white 1977 - 1987 - a retrospective show of drawings. | Date: 1987 | Technique: screenprint, printed in colour, from two stencils

Raymond Arnold (1950–)

John R. Neeson: Ten years in black and white 1977 - 1987 - a retrospective show of drawings.

(1987)

screenprint

Artist: Frazer, David. | Title: John R. Walker | Date: c.2001 | Technique: wood-engraving, printed in black in, from one block

David Frazer (1966–)

John R. Walker

(c.2001)

wood-engraving

Title: John Rogers paintings at Peter Bray Gallery | Date: 1953 | Technique: screenprint, printed in red and black ink, from two stencils

John Rogers paintings at Peter Bray Gallery

(1953)

screenprint

Artist: Stringer, John. | Title: John Stringer | Date: 1966 | Technique: linocut

John Stringer (1937–2007)

John Stringer

(1966)

linocut

Artist: Stringer, John. | Title: John Stringer prints, drawings, watercolours. | Date: 1960 | Technique: linocut, printed in black ink, from one block

John Stringer (1937–2007)

John Stringer prints, drawings, watercolours.

(1960)

linocut

Will Dyson (1880–1938)

'John why despair our tailors are still supreme!'.

Artist: Britton, Fred. | Title: John Young Esq. | Date: 1928 | Technique: etching, printed in black ink, from one plate

Fred Britton (1889–1931)

John Young Esq.

(1928)

etching

L. Roy Davies (1897–1979)

John's house. | The homestead

(1923)

wood-engraving

Artist: Dodd, James. | Title: Johnny. | Date: 2003 | Technique: stencil, printed in colour, from two stencils

James Dodd (1977–)

Johnny.

(2003)

stencil

David Redhill (1960s)

Johnny Wisecap.

William Spreat (1817–1896)

Johnson Plains and Five Islands.

(1848)

lithograph

Cedric Emanuel (1906–1995)

Johnson's boat shed, Rosebay, Sydney. | Johnson's boatshed.

(1930)

Artist: Bauer, Ferdinand. | Title: Johnsonia lupulina. | Date: 1806-13 | Technique: engraving, printed in colour, from one plate; hand-coloured; letterpress

Ferdinand Bauer (1760–1826)

Johnsonia lupulina.

(1806-13)

engraving

Artist: Terry, F.C. | Title: Johnsons Bay. | Date: c.1861 | Technique: photo-lithograph, printed in colour, from two stones in black and buff ink

F.C. Terry (1825–1869)

Johnsons Bay.

(c.1861)

photo-lithograph

William Spreat (1817–1896)

Johnstone Plains and Five Islands from the Green Mountain.

(1848)

Artist: Terry, F.C. | Title: Johnstons Bay. | Date: c.1860 | Technique: etching, printed in purpleish black ink, from one plate

F.C. Terry (1825–1869)

Johnstons Bay.

(c.1860)

etching

Artist: Russell, Colin. | Title: Join Social Defense | Date: 1983 | Technique: screenprint, printed in colour, from multiple stencils

Colin Russell (1958–)

Join Social Defense

(1983)

screenprint

Martin Kinney (1961–)

Join the Prahan Campus Film Society

screenprint