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WORKS 8341 – 8360 of 54578 IMAGES ONLY

Alfred Edward Warner (1879–1968)

Caulfield Grammer.

(1930s)

etching

Artist: Acme Ink. | Title: Causes - Political posters and prints from Canberra 1981-83. | Date: 1984 | Technique: screenprint, printed in colour, from four stencils

Acme Ink. (1982–1987)

Causes - Political posters and prints from Canberra 1981-83.

(1984)

screenprint

Gladys Owen (1889–1960)

Causeway Cottage.

(1932 (exhibited))

wood-engraving

Caution avant garde | Caution avant guarde [as in title list]

(1993)

screenprint

Roy Bizley (1930–1999)

Cave.

Artist: King, Grahame. | Title: Cave | Date: 1982 | Technique: lithograph, printed in colour, from two stones [or plates]

Grahame King (1915–2008)

Cave

(1982)

lithograph

Jock Clutterbuck (1945–)

Cave.

(1973)

etching and aquatint

Title: Cave paintings of Arnhem Land.. | Date: c.1970 | Technique: screenprint, printed in colour, from two stencils

Cave paintings of Arnhem Land..

(c.1970)

screenprint

Title: Cave-man | Date: 1997 | Technique: photocopys, printed in black ink, from collaged artwork

Cave-man

(1997)

photocopys

Oliffe Richmond (1919–1977)

Caveat | Standing group

(1966)

photo-lithograph

Artist: UNKNOWN (UNIVERSITY OF QUEENSLAND STUDENT WORKSHOP) | Title: Caxton Street Legal Service: benefit [with] Perfect Stranger, The end, Titanix | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils

UNKNOWN (UNIVERSITY OF QUEENSLAND STUDENT WORKSHOP)

Caxton Street Legal Service: benefit [with] Perfect Stranger, The end, Titanix

(1981)

screenprint

Artist: Neilson, Janet. | Title: Ceaseless flow #1 | Date: 1996, August - September | Technique: etching and aquatint, printed in brown ink, from one plate

Janet Neilson (1957–)

Ceaseless flow #1

(1996, August - September)

etching and aquatint

Artist: Neilson, Janet. | Title: Ceaseless flow #2 | Date: 1996, September | Technique: etching and aquatint, printed in brown ink, from one plate

Janet Neilson (1957–)

Ceaseless flow #2

(1996, September)

etching and aquatint

Jean De Vallie (1984–)

Ceaux Qui Restent.

(1833)

screenprint

A.H. Fullwood (1863–1930)

cedar Court, Suffolk.

etching

Artist: Laspargis, Paul. | Title: Cedar st space | Date: 1986, July | Technique: lithograph, printed in black ink, from one stone

Paul Laspargis (1949–)

Cedar st space

(1986, July)

lithograph

Artist: Daws, Lawrence. | Title: Cedar's mirror. | Date: 1977 | Technique: aquatint and etching, printed in black ink, from one plate | Copyright: © Lawrence Daws

Lawrence Daws (1927–2025)

Cedar's mirror.

(1977)

aquatint and etching

Artist: HALL, Fiona | Title: Ceiba pentandra - Kapok (Guyanese currency) | Date: 2000 - 2002 | Technique: gouache | Copyright: © Fiona Hall

Fiona Hall (1953–)

Ceiba pentandra - Kapok (Guyanese currency)

(2000 - 2002)

gouache

Artist: Zoates, Toby. | Title: Celebrate Bastille Day at Garibaldis. | Date: 1980 | Technique: screenprint, printed in colour, from two stencils

Toby Zoates (1949–)

Celebrate Bastille Day at Garibaldis.

(1980)

screenprint

Artist: Baldis, Cari. | Title: Celebrate Bastille Day at Garibaldis. | Date: 1980 | Technique: screenprint, printed in colour, from two stencils

Cari Baldis (1980–)

Celebrate Bastille Day at Garibaldis.

(1980)

screenprint