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WORKS 1021 – 1040 of 54663 IMAGES ONLY
Title: A man of Van Diemen's Land | Date: 1791 | Technique: etching and engraving, printed in black ink, from one plate

A man of Van Diemen's Land

(1791)

etching and engraving

Title: A man of Van Diemen's Land | Date: 1791 | Technique: etching and engraving, printed in black ink, from one plate

A man of Van Diemen's Land

(1791)

etching and engraving

Artist: Caldwall, James. | Title: A man of Van Diemen's Land. | Date: 1784 | Technique: engraving, printed in black ink, from one plate

James Caldwall (1739–1822)

A man of Van Diemen's Land.

(1784)

engraving

James Caldwall (1739–1822)

A man of Van Diemen's Land

(1784)

engraving

Artist: Warner, Alfred Edward. | Title: A man's job | Date: 1935 (dated) | Technique: etching, printed in black ink, from one plate

Alfred Edward Warner (1879–1968)

A man's job

(1935 (dated))

etching

Artist: SIDMAN, William | Title: A Manly boat | Date: 1890s | Technique: etching, printed in black ink with plate-tone, from one copper plate

William Sidman (1847–1918)

A Manly boat

(1890s)

etching

Stuart Peterson (1900–1976)

A Maori carver.

(by 1929)

aquatint

Artist: TYRER, J | Title: A map of New South Wales, from the latest surveys. | Date: 1825 | Technique: engraving

J Tyrer

A map of New South Wales, from the latest surveys.

(1825)

engraving

A map of Stanley on the estate of the Van Diemen's Land Company at Circular Head

(1843)

lithograph

Artist: FEINT, Adrian | Title: A map of Sydney Harbour. | Date: 1927-1935 | Copyright: Courtesy the Estate of Adrian Feint

Adrian Feint (1894–1971)

A map of Sydney Harbour.

(1927-1935)

Fred Burridge (1869–1945)

A March of Waters.

etching

Fred Burridge (1869–1945)

A March of Waters.

etching

Artist: Glebe Anti-Expressway Action Group. | Title: a March to Stop the Concrete | Technique: screenprint, printed in colour, from multiple stencils

Glebe Anti-Expressway Action Group. (1980–)

a March to Stop the Concrete

screenprint

Artist: Glebe Anti-Expressway Action Group. | Title: A march to Stop the Concrete | Technique: screenprint, printed in colour, from multiple stencils

Glebe Anti-Expressway Action Group. (1980–)

A march to Stop the Concrete

screenprint

Artist: Allport, C.L. | Title: (A market in France). | Date: c.1928 | Technique: linocut, printed in colour, from multiple blocks

C.L. Allport (1860–1949)

(A market in France).

(c.1928)

linocut

Artist: Allport, C.L. | Title: A market place in the Latin Quarter, Paris. | Date: c.1910 | Technique: lithograph, printed in black ink, from one stone [or plate]

C.L. Allport (1860–1949)

A market place in the Latin Quarter, Paris.

(c.1910)

lithograph

Artist: Menpes, Mortimer. | Title: (A market square on a rainy day) | Technique: etching and drypoint, printed in brown ink, from one plate

Mortimer Menpes (1855–1938)

(A market square on a rainy day)

etching and drypoint

L. Roy Davies (1897–1979)

A mate o'mine.

(1924)

wood-engraving

Artist: MEYER, Bill | Title: A matter of anti-matter | Date: 1979-1983 | Technique: photo-etching, aquatint and drypoint, printed in black ink, from one plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

A matter of anti-matter

(1979-1983)

photo-etching

William Strang (1859–1921)

A Matter of Business.