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WORKS 13361 – 13380 of 54678 IMAGES ONLY

Norman Lindsay (1879–1969)

Enter the Magicians.

(1927)

Artist: Jordan, Teresa. | Title: Enter through the side door (Our forefathers had the vision... And their daughters still bear the pain) | Date: 1991 | Technique: screenprint, printed in colour, from four stencils

Teresa Jordan (1953–)

Enter through the side door (Our forefathers had the vision... And their daughters still bear the pain)

(1991)

screenprint

Artist: Malm, Wayne. | Title: Entering the debate | Date: 1992 | Technique: etching and aquatint, printed in black ink, from one copper plate

Wayne Malm (1958–)

Entering the debate

(1992)

etching and aquatint

Title: Enterrement des naturels de l'Australie [Burial of natives of Australia] | Date: 1835 | Technique: engraving, printed in black ink, from one steel plate

Enterrement des naturels de l'Australie [Burial of natives of Australia]

(1835)

engraving

Title: Enterrement des naturels de l'Australie, Naturel de L'Australie and Femme de la Tasmanie [Burial of natives of Australia, Native of Australia and Woman of Tasmania] | Date: 1835 | Technique: engraving, printed in black ink, from one steel plate

Enterrement des naturels de l'Australie, Naturel de L'Australie and Femme de la Tasmanie [Burial of natives of Australia, Native of Australia and Woman of Tasmania]

(1835)

engraving

Enterrement des naturels de l'Australie; Naturel de l'Australie; Femme de la Tasmanie.

(1830s?)

engravings

Artist: Armstrong, Ian. | Title: (Enthroned figure). | Date: 1977 | Technique: woodcut, printed in black ink, from one block

Ian Armstrong (1923–2005)

(Enthroned figure). | (Oriental figure)

(1977)

woodcut

Artist: BOYD, Arthur | Title: Entombment. | Date: (1962-63) | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

Entombment.

((1962-63))

etching and aquatint

Artist: Angas, George French. | Title: Entomology. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

Entomology.

(1846-47)

lithograph

Artist: Angas, George French. | Title: Entomology: coleoptera. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

Entomology: coleoptera.

(1846-47)

lithograph

Josef Lada Stejskal (1945–)

Entr'acte presents works inspired by the Bauhaus in Refractions ... The Performance Space.

(1983)

offset-lithograph

Sydney Ure Smith (1887–1949)

Entrance First Colonial Treasury.

Cyril Dillon (1883–1974)

Entrance gates.

(1922)

etching

A.H. Fullwood (1863–1930)

Entrance Government House, Melbourne.

Artist: BOT, G.W. | Title: Entrance I. | Date: 2000 | Technique: linocut, printed in colour, from multiple blocks

G.W. Bot (1954–)

Entrance I.

(2000)

linocut

Sydney Ure Smith (1887–1949)

Entrance of Bank of N.S.W.

Title: Entrance of Port Lincoln, taken from behind Memory Cove. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

Entrance of Port Lincoln, taken from behind Memory Cove.

(1814)

engraving

Vincent Woodthorpe (1764–1822)

Entrance of the Paramatta River.

(25 March 1803 (imprint))

engraving

Artist: Lanceley, Colin. | Title: Entrance of the thugs | Date: 1966 | Technique: screenprint, printed in colour, from seven stencils | Copyright: © Colin Lanceley. Licensed by VISCOPY, Australia

Colin Lanceley (1938–2015)

Entrance of the thugs

(1966)

screenprint

Sydney Ure Smith (1887–1949)

Entrance old colonial Treasury.

(1916)