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WORKS 1541 – 1560 of 54663 IMAGES ONLY
Title: A view of the town of Sydney in the colony of New South Wales. | Date: 1 June 1802 (imprint) | Technique: engraving and aquatint, printed in black ink, from one copper plate; hand-coloured

A view of the town of Sydney in the colony of New South Wales.

(1 June 1802 (imprint))

engraving and aquatint

E.D. Barlow (1808–1881)

A view of Woolloomooloo Goal, taken during the execution of John Knatchbull.

(20 February 1844)

Samuel Calvert (1828–1913)

A view on the Lerderberg.

(1882)

wood-engraving

Artist: Rooney, Elizabeth. | Title: A view, Balmain | Date: 1975-77 | Technique: etching and aquatint, printed in brown ink, from one plate

Elizabeth Rooney (1929–2016)

A view, Balmain

(1975-77)

etching and aquatint

Pearl Sheldon (1877–)

A Village in Bucks.

Kathleen May Lewis (1990–)

A Village Street in Austria.

etching

C.H. Bartlett (1860–1940)

A Village Temple, Kashmir.

Jan Senbergs (1939–2024)

A vision for builders.

(1975)

screenprint

Artist: RICHARDSON, Berris | Title: A visit from the bleeding heart dove | Date: 1982 | Technique: lithograph, printed in colour, from seven stones [or plates]

Berris Richardson (1945–1988)

A visit from the bleeding heart dove

(1982)

lithograph

Ailsa [1]. Allan (1899–1943)

A visit to the zoo.

linocut

A visit with the artists: an interview by Sylvère Lotringer

(1994)

offset-lithography

Artist: Wolseley, John. | Title: A vocabulary of dust - Simpson Desert | Date: 1993 | Technique: etching, printed in colour, from three plates | Copyright: © John Wolseley. Licensed by VISCOPY, Australia

John Wolseley (1938–)

A vocabulary of dust - Simpson Desert

(1993)

etching

Artist: Wolseley, John. | Title: A vocabulary of dust, Simpson Desert | Date: 1993 | Technique: etching, aquatint, foul biting and rocker, printed in colour with plate-tone, from two plates (black and brown ink) | Copyright: © John Wolseley. Licensed by VISCOPY, Australia

John Wolseley (1938–)

A vocabulary of dust, Simpson Desert

(1993)

etching

A Voyage to the South Sea for the purpose of conveying the Bread-Fruit Tree to the West Indies, Including an account of the mutiny on board the ship.

(1792)

Artist: Twigg, Tony. | Title: A waiting room. Garry Anderson Gallery, Sydney | Date: 1980's | Technique: lithograph, printed in black ink, from one plate | Copyright: © Tony Twigg. Licensed by VISCOPY, Australia

Tony Twigg (1953–)

A waiting room. Garry Anderson Gallery, Sydney

(1980's)

lithograph

Artist: Cotton, Shane. | Title: A walk in paradise. | Date: 2004 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Shane Cotton, represented by Sherman Galleries, Sydney

Shane Cotton (1964–)

A walk in paradise.

(2004)

lithograph

Artist: Whitelocke, Nelson P. | Title: A Walk in Sydney streets on the shady side. | Date: 1885 | Technique: lithographs, printed in colour, from two stones; letterpress text

Nelson P. Whitelocke (1861–1927)

A Walk in Sydney streets on the shady side.

(1885)

lithographs

John R. Walker (1957–)

A walk in the Budawangs. A book containing 12 computer-generated images bound with black plastic binder and clear plastic covers.

(1996)

colour laser printer

UNKNOWN

A Warning to Green Grocers.

(1976)

screenprint

Paul Worstead (1950–)

A warning to Greengrocers.

(1976)

screenprint