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WORKS 19801 – 19820 of 54640 IMAGES ONLY

Fred Campbell (1851–1930)

In Southern Pastures.

Artist: COLEING, Tony | Title: In suck out. | Date: 1990 | Technique: etching, printed in black ink, from one plate

Tony Coleing (1942–)

In suck out.

(1990)

etching

Tony Coleing (1942–)

In suck out.

(1990)

etching and aquatint

Artist: COLEING, Tony | Title: In suck out. | Date: 1990 | Technique: etching, printed in black ink, from one plate

Tony Coleing (1942–)

In suck out.

(1990)

etching

Artist: COLEING, Tony | Title: In suck out. | Date: 1990 | Technique: etching, printed in black ink, from one plate

Tony Coleing (1942–)

In suck out.

(1990)

etching

Tony Coleing (1942–)

In suck out.

(1990)

etching

Ray Beattie (1949–)

In terms of casualties.

(1976)

etching and aquatint

Artist: Lasisi, David. | Title: In the act of being trustful | Date: 1976 | Technique: screenprint, printed in yellow/brown, from one screen

David Lasisi (1955–)

In the act of being trustful

(1976)

screenprint

Artist: Lasisi, David. | Title: In the act of being trustful | Date: 1976 | Technique: screenprint, printed in purple ink, from one stencil

David Lasisi (1955–)

In the act of being trustful

(1976)

screenprint

Artist: Lasisi, David. | Title: In the act of being trustful | Date: 1976 | Technique: screenprint, printed in yellow/brown ink, from one stencil

David Lasisi (1955–)

In the act of being trustful

(1976)

screenprint

D.G. Reid (1862–1933)

In the Afterglow.

etching

Lilias Garling (1909–)

In the Albaicin, Granada pencil.

Artist: WALKER, Murray | Title: In the antique room at the Slade School (a) | Date: 1962 | Technique: drypoint, printed in black ink, from one plate

Murray Walker (1937–)

In the antique room at the Slade School (a)

(1962)

drypoint

Artist: WALKER, Murray | Title: In the antique room at the Slade School (b) | Date: 1962 | Technique: etching and sugarlift aquatint, printed in black ink, from one plate

Murray Walker (1937–)

In the antique room at the Slade School (b)

(1962)

etching and sugarlift aquatint

Artist: WALKER, Murray | Title: In the antique room at the Slade School (c) | Date: 1962 | Technique: etching and sugarlift aquatint, printed in black ink, from one plate

Murray Walker (1937–)

In the antique room at the Slade School (c)

(1962)

etching and sugarlift aquatint

Artist: White, Nigel. | Title: In the beginning | Date: 1991 | Technique: drypoint, printed in sepia ink, from one plate

Nigel White (1958–)

In the beginning

(1991)

drypoint

Artist: French, Len. | Title: (In the beginning). | Date: (1955) | Technique: lithograph, printed in black ink, from one plate | Copyright: © Leonard French. Licensed by VISCOPY, Australia

Len French (1928–2017)

(In the beginning).

((1955))

lithograph

Artist: MEYER, Bill | Title: In The Beginning (was the void) | Date: 1974 | Technique: screenprint, printed in eight colours, from seven screens (indirect and direct stencils photo-image and hand cut) | Copyright: © Bill Meyer

Bill Meyer (1942–)

In The Beginning (was the void) | In the beginning

(1974)

screenprint

In the beginning there were birds.

(1987)

etching and aquatint

Artist: Zero. | Title: In the blackout - before you alight make sure the train is in the station | Date: (1939-1945) | Technique: lithograph

Zero. (1898–1976)

In the blackout - before you alight make sure the train is in the station

((1939-1945))

lithograph