Browse: A

WORKS 21 – 40 of 1832 IMAGES ONLY
Artist: Kenny, Robert. | Title: A book of detection | Date: 1977 | Technique: screenprint, printed in colour, from multiple stencils

Robert Kenny (1952–)

A book of detection

(1977)

screenprint

Artist: LINDSAY, Lionel | Title: A book of woodcuts. Drawn and engraved by Lionel Lindsay. | Date: 1922 | Technique: Woodengravings, printed in black ink, each from one block; one hand-coloured ;letterpress text | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A book of woodcuts. Drawn and engraved by Lionel Lindsay.

(1922)

Woodengravings

Artist: Harris, Jeffrey. | Title: A brain thinking with lightbulb eyes | Date: 1999 (dated) | Technique: sugar-lift etching, printed in black ink, from one plate

Jeffrey Harris (1949–)

A brain thinking with lightbulb eyes

(1999 (dated))

sugar-lift etching

Title: A branch of the bread-fruit tree, the principal support of the natives of the South Sea Islands. | Date: 1798 (about) | Technique: engraving, printed in black ink, from one copper plate

A branch of the bread-fruit tree, the principal support of the natives of the South Sea Islands.

(1798 (about))

engraving

Artist: ROSS, James | Title: A breakfast in the bush. | Date: 1830 | Technique: wood-engraving, printed in black ink, from one plate

James Ross (1786–1838)

A breakfast in the bush.

(1830)

wood-engraving

Artist: Menpes, Mortimer. | Title: A Breton beggar. | Date: 1883 (published) | Technique: etching, printed in black ink, from one plate

Mortimer Menpes (1855–1938)

A Breton beggar.

(1883 (published))

etching

Artist: LINDSAY, Lionel | Title: A bridge, Estremadura | Date: 1926 | Technique: drypoint, printed in brown ink with plate-tone, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A bridge, Estremadura | A bridge, Estremadura [sic]

(1926)

drypoint

Artist: ROFE, David | Title: A Brindabella | Date: October 1996 | Technique: etching, printed in black ink, from one plate

David Rofe

A Brindabella

(October 1996)

etching

Artist: Rowan, Ellis. | Title: A bunch of 'West Australian' wildflowers. | Date: 1889, December | Technique: lithograph, printed in colour, from multiple stones

Ellis Rowan (1848–1922)

A bunch of 'West Australian' wildflowers.

(1889, December)

lithograph

Artist: Barker, George. | Title: A bunch of old dogs. | Date: 1974 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © George Barker

George Barker (1942–)

A bunch of old dogs.

(1974)

screenprint

Artist: Dwyer, Ella. | Title: A bush hut. | Date: 1935 (about) | Technique: etching, printed in brown ink with plate-tone, from one plate

Ella Dwyer (1887–1979)

A bush hut.

(1935 (about))

etching

Artist: Wiseman, Hilda. | Title: A bush pathway | Date: c.1930s | Technique: linocut, printed in black ink, from one block

Hilda Wiseman (1894–1982)

A bush pathway

(c.1930s)

linocut

Artist: UNKNOWN | Title: A bush toilet | Date: 1877, December | Technique: wood-engraving, printed in colour, from six blocks

UNKNOWN

A bush toilet

(1877, December)

wood-engraving

Artist: TURNER, J.A. | Title: A bush welcome. | Date: 1884 | Technique: lithograph, printed in colour, from multiple stones

J.A. Turner (1850–1908)

A bush welcome.

(1884)

lithograph

Artist: Shirlow, John. | Title: A Bye-way, Flinders Lanex | Date: 1896 | Technique: etching, printed in black ink with plate-tone, from one copper plate

John Shirlow (1869–1936)

A Bye-way, Flinders Lanex

(1896)

etching

Artist: Shirlow, John. | Title: A bye-way, Flinders Lane. | Date: 1896 | Technique: etching, printed in black ink with plate-tone, from one copper plate

John Shirlow (1869–1936)

A bye-way, Flinders Lane. | Bye-way

(1896)

etching

Artist: Shirlow, John. | Title: A bye-way, Flinders Lane. | Date: 1896 | Technique: etching, printed in black ink with plate-tone, from one copper plate

John Shirlow (1869–1936)

A bye-way, Flinders Lane.

(1896)

etching

Artist: Timothy, John. | Title: A call for ceremony | Date: 2005 | Technique: woodcut, printed in black ink, from one block

John Timothy (1969–)

A call for ceremony

(2005)

woodcut

Artist: LINDSAY, Lionel | Title: A Calvary, Segovia | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A Calvary, Segovia

(1927)

drypoint

Artist: LINDSAY, Lionel | Title: A castle in Extremadura (moonlight), Spain | Date: 1946 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A castle in Extremadura (moonlight), Spain | A castle in Estremadura [sic] (moonlight), Spain

(1946)

mezzotint