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WORKS 421 – 440 of 1833 IMAGES ONLY
Title: A view of Hawkesbury and the Blue Mountains. New South Wales. | Date: 1817-1819 | Technique: engraving, printed in black ink, from one copper plate

A view of Hawkesbury and the Blue Mountains. New South Wales.

(1817-1819)

engraving

Artist: Slager, Philip. | Title: A view of part of the town of Windsor in New South Wales. Taken from the banks of the River Hawkesbury. | Date: 4 June 1813 (imprint) | Technique: etching and engraving, printed in black ink, from one copper plate

Philip Slager (1755–1815)

A view of part of the town of Windsor in New South Wales. Taken from the banks of the River Hawkesbury.

(4 June 1813 (imprint))

etching and engraving

Artist: Preston, Walter. | Title: A view of the banks of the River Hawkesbury, in New South Wales. | Date: 4 June 1813 (imprint) | Technique: etching and engraving, printed in black ink, from one copper plate

Walter Preston (1787–1821)

A view of the banks of the River Hawkesbury, in New South Wales.

(4 June 1813 (imprint))

etching and engraving

Title: A view of the Cove and part of Sydney. New South Wales. Taken from Dawe's Battery. | Date: 1817-1819 | Technique: engraving, printed in black ink, from one copper plate

A view of the Cove and part of Sydney. New South Wales. Taken from Dawe's Battery.

(1817-1819)

engraving

Title: A view of the town of Sydney in the colony of New South Wales. | Date: 1 June 1802 (imprint) | Technique: engraving and aquatint, printed in black ink, from one copper plate; hand-coloured

A view of the town of Sydney in the colony of New South Wales.

(1 June 1802 (imprint))

engraving and aquatint

Artist: Rooney, Elizabeth. | Title: A view, Balmain | Date: 1975-77 | Technique: etching and aquatint, printed in brown ink, from one plate

Elizabeth Rooney (1929–2016)

A view, Balmain

(1975-77)

etching and aquatint

Artist: RICHARDSON, Berris | Title: A visit from the bleeding heart dove | Date: 1982 | Technique: lithograph, printed in colour, from seven stones [or plates]

Berris Richardson (1945–1988)

A visit from the bleeding heart dove

(1982)

lithograph

Artist: Wolseley, John. | Title: A vocabulary of dust - Simpson Desert | Date: 1993 | Technique: etching, printed in colour, from three plates | Copyright: © John Wolseley. Licensed by VISCOPY, Australia

John Wolseley (1938–)

A vocabulary of dust - Simpson Desert

(1993)

etching

Artist: Wolseley, John. | Title: A vocabulary of dust, Simpson Desert | Date: 1993 | Technique: etching, aquatint, foul biting and rocker, printed in colour with plate-tone, from two plates (black and brown ink) | Copyright: © John Wolseley. Licensed by VISCOPY, Australia

John Wolseley (1938–)

A vocabulary of dust, Simpson Desert

(1993)

etching

Artist: Twigg, Tony. | Title: A waiting room. Garry Anderson Gallery, Sydney | Date: 1980's | Technique: lithograph, printed in black ink, from one plate | Copyright: © Tony Twigg. Licensed by VISCOPY, Australia

Tony Twigg (1953–)

A waiting room. Garry Anderson Gallery, Sydney

(1980's)

lithograph

Artist: Cotton, Shane. | Title: A walk in paradise. | Date: 2004 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Shane Cotton, represented by Sherman Galleries, Sydney

Shane Cotton (1964–)

A walk in paradise.

(2004)

lithograph

Artist: Whitelocke, Nelson P. | Title: A Walk in Sydney streets on the shady side. | Date: 1885 | Technique: lithographs, printed in colour, from two stones; letterpress text

Nelson P. Whitelocke (1861–1927)

A Walk in Sydney streets on the shady side.

(1885)

lithographs

Artist: UNKNOWN | Title: A Warning to Warners. | Technique: screenprint

UNKNOWN

A Warning to Warners.

screenprint

Artist: WORSTEAD, Paul | Title: A warning to Warners (picture of Paul's grandmother in her garden). | Date: 1975 | Technique: screenprint, printed in colour, from 12 stencils | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

A warning to Warners (picture of Paul's grandmother in her garden).

(1975)

screenprint

Artist: Terry, F.C. | Title: (A waterfall). | Date: c.1860 | Technique: etching, printed in purple/black ink, from one plate

F.C. Terry (1825–1869)

(A waterfall).

(c.1860)

etching

Title: A well-known sheriff's officer. | Date: 1830 | Technique: woodcut, printed in black ink, from one block

A well-known sheriff's officer.

(1830)

woodcut

Artist: Mazell, Peter. | Title: A white bear | Date: 1784 | Technique: engraving, printed in black ink, from one copper plate

Peter Mazell (1733–1808)

A white bear

(1784)

engraving

Artist: Grounds, Marr. | Title: A wilderness art park near Ayers Rock at the centre. A book containing [8 pp], 2 illustrations and [3 pp] of text. | Date: 1985 | Technique: photocopy; hand-coloured

Marr Grounds (1930–2021)

A wilderness art park near Ayers Rock at the centre. A book containing [8 pp], 2 illustrations and [3 pp] of text.

(1985)

photocopy; hand-coloured

Artist: LINDSAY, Lionel | Title: A winding street, in the Albaicin, Granada | Date: 1945 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A winding street, in the Albaicin, Granada | The Albaicin

(1945)

etching

Artist: Long, Sydney. | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

A windy day

(1927)

line-etching