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WORKS 1101 – 1120 of 1833 IMAGES ONLY
Artist: UNKNOWN | Title: An exhibition of postcards and posters by Megalo Unemployment Project - Bitumen River Gallery | Date: 1985 | Technique: screenprint, printed in colour, from four stencils

UNKNOWN

An exhibition of postcards and posters by Megalo Unemployment Project - Bitumen River Gallery

(1985)

screenprint

Artist: Rish, Adam. | Title: An exhibition of prints. Adam Rish in Print... Harrington Street Gallery [Hobart]. | Date: 1979 | Technique: screenprint, printed in colour, from multiple stencils

Adam Rish (1953–)

An exhibition of prints. Adam Rish in Print... Harrington Street Gallery [Hobart].

(1979)

screenprint

Artist: ARNOLD, Raymond | Title: An exhibition of recent work by Sue Pedley at Hallmark Gallery. | Date: 1985 | Technique: screenprint, printed in colour, from four stencils

Raymond Arnold (1950–)

An exhibition of recent work by Sue Pedley at Hallmark Gallery.

(1985)

screenprint

Artist: UNKNOWN | Title: An exhibition of work by homosexual and lesbian artists, Watters Gallery, Sydney | Date: 1978 | Technique: screenprint, printed in black ink, from one stencil; with collage of xerography

UNKNOWN

An exhibition of work by homosexual and lesbian artists, Watters Gallery, Sydney

(1978)

screenprint

Artist: Doyle, John. | Title: An extraordinary animal. | Date: 26 March 1835 (imprint) | Technique: lithograph, printed in black ink, from one stone

John Doyle (1797–1868)

An extraordinary animal. | Daniel O'Connell

(26 March 1835 (imprint))

lithograph

Artist: Cruikshank, George. | Title: An Extraordinary Movement in China or an alteration in The willow pattern - at last!. | Date: 1853 | Technique: etching, printed in black ink, from one steel plate; subsequently hand-coloured

George Cruikshank (1792–1878)

An Extraordinary Movement in China or an alteration in "The willow pattern" - at last!.

(1853)

etching

Artist: Ackermann, Rudolph. | Title: An historical account of the Colony of New South Wales and its dependent settlements. London: R. Ackermann, 1821. | Date: 1821 | Technique: engravings, printed in black ink, each from one copper plate; letter-press text

Rudolph Ackermann (1764–1834)

An historical account of the Colony of New South Wales and its dependent settlements. London: R. Ackermann, 1821.

(1821)

engravings

Artist: van RAALTE, Henri | Title: An idyll. | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Henri Van Raalte (1881–1929)

An idyll.

(c.1920)

drypoint

Artist: van RAALTE, Henri | Title: An idyll (study) | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Henri Van Raalte (1881–1929)

An idyll (study) | Man playing flute

(c.1920)

drypoint

Artist: VARIOUS ARTISTS, | Title: An illustrated Poem, Orara, by Henry Kendall. Melbourne: Art Union of Victoria, 1881 | Date: 1881 | Technique: wood-engravings; lithographs; letterpress text

VARIOUS ARTISTS,

An illustrated Poem, Orara, by Henry Kendall. Melbourne: Art Union of Victoria, 1881

(1881)

wood-engravings; lithographs; letterpress text

Artist: Counihan, Noel. | Title: An important conversation. | Date: 1948 | Technique: lithograph, printed in black ink, from one stone

Noel Counihan (1913–1986)

An important conversation.

(1948)

lithograph

Artist: Heyes, Ken. | Title: 'an instant which some feeling of fatique or sadness had perhaps prevented me from enjoying then, but which now, freed from what is necessarily imperfect in external perception, pure and disincarnate, caused me ...' | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

'an instant which some feeling of fatique or sadness had perhaps prevented me from enjoying then, but which now, freed from what is necessarily imperfect in external perception, pure and disincarnate, caused me ...'

(1984)

photocopy

Artist: Watson, Ruth. | Title: An Introduction to Gaming | Date: 1990 | Technique: lithograph, printed in colour, from multiple stones

Ruth Watson (1962–)

An Introduction to Gaming

(1990)

lithograph

Artist: Bainbridge, John. | Title: An invitation: London Transport poster | Technique: lithograph, printed in colour, from multiple plates

John Bainbridge (1918–1978)

An invitation: London Transport poster

lithograph

Title: An Irish patriot [Sir Charles Gavin Duffy]. | Date: 31 January 1874 | Technique: lithograph, printed in colour, from multiple stones

An Irish patriot [Sir Charles Gavin Duffy].

(31 January 1874)

lithograph

Artist: Doggett-Williams, Phillip. | Title: An object of stupidity. | Date: 1986 | Technique: lithograph, printed in black ink, from one stone

Phillip Doggett-Williams (1953–)

An object of stupidity.

(1986)

lithograph

Artist: Zofrea, Salvatore. | Title: An Odyssey (title page). | Date: 1989 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Salvatore Zofrea, 1989

Salvatore Zofrea (1946–)

An Odyssey (title page).

(1989)

woodcut

Artist: LINDSAY, Lionel | Title: An old barn, Ambleside | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

An old barn, Ambleside | The old Ambleside barn

(1925)

drypoint

Title: An old colonist [The Hon. John Thomas Smith]. | Date: 27 September 1873 (imprint) | Technique: lithograph, printed in colour, from multiple stones

An old colonist [The Hon. John Thomas Smith].

(27 September 1873 (imprint))

lithograph

Artist: LINDSAY, Lionel | Title: An old courtyard, New veterinary institute, La Trobe Street, Melbourne. | Date: 1914 | Technique: etching and aquatint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

An old courtyard, New veterinary institute, La Trobe Street, Melbourne. | Old courtyard, Latrobe Street | Old Latrobe Street Courtyard, Melbourne

(1914)

etching and aquatint