Browse: A

WORKS 2701 – 2720 of 3296 IMAGES ONLY
Artist: UNKNOWN | Title: Art's Exhibition - Thredbo Alpine Hotel | Date: 1982 | Technique: screenprint, printed in colour, from three stencils

UNKNOWN

Art's Exhibition - Thredbo Alpine Hotel

(1982)

screenprint

Imants Tillers (1950–)

Art/Earth.

(1997)

etching and aquatint

Artist: TWIGG, Tony | Title: Art/Extensions. 1981. Published by the artist, Sydney. | Date: 1981 | Technique: photocopy prints; pen and ink, typing

Tony Twigg (1953–)

Art/Extensions. 1981. Published by the artist, Sydney.

(1981)

photocopy prints; pen and ink

Title: Artbit, Sydney Biennale, 1976. | Date: 1976 | Technique: offset lithograph and sand

Artbit, Sydney Biennale, 1976.

(1976)

offset lithograph and sand

Artist: HALL, Fiona | Title: Artemisia absinthium - Absinth (Greek currency) | Date: 2000 - 2002 | Technique: gouache | Copyright: © Fiona Hall

Fiona Hall (1953–)

Artemisia absinthium - Absinth (Greek currency)

(2000 - 2002)

gouache

Artist: RICHARDSON, Berris | Title: Arterial motive | Technique: lithograph, printed in black ink, from one stone [or plate]

Berris Richardson (1945–1988)

Arterial motive

lithograph

Artist: VARIOUS | Title: Arthouse Print Calendar 1991. | Date: 1990-91 | Technique: various

VARIOUS

Arthouse Print Calendar 1991.

(1990-91)

various

Malcolm Osborne (1880–1963)

Arthur.

etching

John Longstaff (1862–1941)

Arthur McCarthy [charcoal].

charcoal drawing

Artist: AMOR, Rick | Title: Arthurs Creek. | Date: 1992 | Technique: etching, printed in black ink with plate-tone, from one plate

Rick Amor (1948–)

Arthurs Creek.

(1992)

etching

Artist: Fisher, John | Title: Articulating a Paradigm, Sydney. A book containing [30]pp.

John Fisher (1921–)

Articulating a Paradigm, Sydney. A book containing [30]pp.

Artist: MADDOCK, Bea | Title: Artifacts from Tromemanner. | Date: 1990 | Technique: etching, engraving, colour monotype and letterpress

Bea Maddock (1934–2016)

Artifacts from Tromemanner.

(1990)

etching

Artist: ARNOLD, Raymond | Title: Artificial nature I. | Date: c.1993 | Technique: etching, printed in red and black ink, from two plates

Raymond Arnold (1950–)

Artificial nature I.

(c.1993)

etching

Artist: ARNOLD, Raymond | Title: Artificial nature II. | Date: c.1993 | Technique: etching, printed in red and black ink, from two plates

Raymond Arnold (1950–)

Artificial nature II.

(c.1993)

etching

Artist: ARNOLD, Raymond | Title: Artificial nature III. | Date: c.1993 | Technique: etching, printed in red and black ink, from two plates

Raymond Arnold (1950–)

Artificial nature III.

(c.1993)

etching

Artist: ARNOLD, Raymond | Title: Artificial nature IV. | Date: c.1993 | Technique: etching, printed in red and black ink, from two plates

Raymond Arnold (1950–)

Artificial nature IV.

(c.1993)

etching

Artist: ARNOLD, Raymond | Title: Artificial nature V. | Date: 1992 | Technique: etching, printed in red and black ink, from two plates

Raymond Arnold (1950–)

Artificial nature V.

(1992)

etching

Artist: ARNOLD, Raymond | Title: Artificial nature VI. | Date: c.1993 | Technique: etching, printed in red and black ink, from two plates

Raymond Arnold (1950–)

Artificial nature VI.

(c.1993)

etching

Title: Artist | Date: 1980 | Technique: drypoint, printed in black ink, from one perspex plate

Artist

(1980)

drypoint

Artist: WILLIAMS, Fred | Title: Artist | Date: 1955-56 | Technique: etching, aquatint, drypoint and flat biting, printed in black ink, from one zinc plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

Artist

(1955-56)

etching