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WORKS 941 – 960 of 3323 IMAGES ONLY

Robert Dixon (1800–1858)

A view from Camden on the River Nepean N.S. Wales.

(1837)

A.H. Fullwood (1863–1930)

A view from Greenwich Park.

Artist: SIDMAN, William | Title: A view from Watson's Bay | Date: 1890s | Technique: etching, printed in black ink with plate-tone, from one copper plate

William Sidman (1847–1918)

A view from Watson's Bay

(1890s)

etching

A.H. Fullwood (1863–1930)

A View in Greenwich Park.

A.H. Fullwood (1863–1930)

A View in St. James' Park, London.

John Shillibeer (1786–1841)

A view in the island of Juan Fernandez

(1817)

etching

Artist: Engelmann, Graf, Coindet et Cie. | Title: A View in Western Australia, taken from a hill, the intended site of a Fort, on the left bank of the Swan River, a mile and a quarter from its mouth. | Date: 24 March 1830 (imprint) | Technique: lithograph, printed in black ink, from one stone

Graf Engelmann (1826–1830)

A View in Western Australia, taken from a hill, the intended site of a Fort, on the left bank of the Swan River, a mile and a quarter from its mouth.

(24 March 1830 (imprint))

lithograph

E.D. Barlow (1808–1881)

A view near Beverley Park. The ass that thought himself a lion.

(15 January 1839 (first noted))

A view of Anamooka

(1784)

engraving

Artist: Mason, Walter George. | Title: A view of Botany Bay, Cook's River from Norwood on the Parramatta railway. | Date: 1857 | Technique: wood-engraving, printed in black ink, from one block

Walter George Mason (1820–1866)

A view of Botany Bay, Cook's River from Norwood on the Parramatta railway.

(1857)

wood-engraving

Artist: Slager, Philip. | Title: A view of Campbell and Co. Mercantile House, Sydney in New South Wales. | Date: 1810 (about) | Technique: etching and engraving, printed in black ink, from one copper plate; hand-coloured

Philip Slager (1755–1815)

A view of Campbell and Co. Mercantile House, Sydney in New South Wales.

(1810 (about))

etching and engraving

A view of Christmas Harbour, in Kerguelen's Land.

(1784)

engraving

Title: A view of Dawe's Battery at the entrance of Sydney Cove. New South Wales. | Date: 1817-1819 | Technique: engraving, printed in black ink, from one copper plate

A view of Dawe's Battery at the entrance of Sydney Cove. New South Wales.

(1817-1819)

engraving

Title: A view of Dawe's Battery at the entrance of Sydney Cove. New South Wales. | Date: 1817-1819 | Technique: engraving, printed in black ink, from one copper plate

A view of Dawe's Battery at the entrance of Sydney Cove. New South Wales.

(1817-1819)

engraving

Artist: Wallis, James. | Title: A view of Dawe's Battery at the entrance of Sydney Cove. New South Wales. | Date: 1821 | Technique: engraving, printed in black ink, from one copper plate

James Wallis (1785–1858)

A view of Dawe's Battery at the entrance of Sydney Cove. New South Wales.

(1821)

engraving

Robert Dixon (1800–1858)

A view of Gummum Plains and Liverpool Range N.S. Wales, taken from Brindley Park.

(1837 (published))

Artist: Wallis, James. | Title: A view of Hawkesbury and the Blue Mountains. New South Wales. | Date: 1821 | Technique: engraving, printed in black ink, from one copper plate

James Wallis (1785–1858)

A view of Hawkesbury and the Blue Mountains. New South Wales.

(1821)

engraving

Title: A view of Hawkesbury and the Blue Mountains. New South Wales. | Date: 1817-1819 | Technique: engraving, printed in black ink, from one copper plate

A view of Hawkesbury and the Blue Mountains. New South Wales.

(1817-1819)

engraving

Benjamin Duterrau (1767–1851)

A view of Hobart Town taken from Kangaroo Point.

(23 August 1836 (imprint))

A view of Huaheine.

(1784)

engraving