Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse: B

WORKS 581 – 600 of 2023 IMAGES ONLY

Sort By:

Results per page:

Title: Bill head for Melbourne chair factory | Date: 1890s | Technique: wood-engraving, printed in black ink, from one block; letterpress

Title: Bill head for Wallach Brothers | Technique: engraving, printed in black ink, from one plate; letterpress

Title: Bill head for Wallach Brothers | Technique: engraving, printed in black ink, from one plate; letterpress

Title: Bill head for Wallach Brothers | Technique: engraving, printed in black ink, from one plate; letterpress

Title: Bill head for Wallach Brothers | Date: 1880s | Technique: engraving, printed in black ink, from one plate; letterpress

Title: Bill head for Wallach Brothers | Technique: engraving, printed in black ink, from one plate; letterpress

Title: Bill head for Warne & Reid, importers and warehousmen | Date: 1880s | Technique: wood-engraving, printed in black ink, from one block; letterpress

Title: Bill head for Watton & Mayne wholesale & retail | Date: 1880s | Technique: engraving, printed in black ink, from one plate; letterpress

Title: Bill head for William Chipperfield | Date: 1880s | Technique: wood-engraving, printed in black ink, from one block; letterpress

Artist: MEYER, Bill | Title: Bill Meyer/New York subway/and the American landscape | Date: 1974 | Technique: screenprint, printed in colour, from five screens and four stencils | Copyright: © Bill Meyer

Artist: Weary, Geoff. | Title: Bill of rights for N.S.W. - Public meeting | Date: (1979) | Technique: screenprint, printed in colour, from three stencils

Artist: Megalo International Screenprinting Collective. | Title: Bill Posters Appreciated: Bitumen River Gallery | Date: 1981 | Technique: screenprint, printed in colour, from four stencils

Artist: Fernyhough, William. | Title: Bill Worrall, Five Islands Tribe. | Date: 1836 | Technique: pen-lithograph, printed in black ink, from one zinc plate

Artist: Wanji Wanji, Susan. | Title: Billabong | Date: 1992 | Technique: linocut, printed in colour, from four blocks

Artist: Jirwulurr Johnson, Amy. | Title: Billabong | Date: c.2001 | Technique: screenprint, printed in colour, from six stencils

Artist: Pike, Jimmy. | Title: Billabong Karru | Date: 1985 | Technique: screenprint, printed in black ink, from one stencil

Artist: Without Authority. | Title: Billboard: anti-smoking | Date: 1981 | Technique: screenprint, printed in colour, from eight ulano hand-cut stencils and one direct photo stencil | Copyright: Courtesy of the artist

Title: Billhead: Colin N. Campbell, Launceston | Date: (1850) | Technique: line-engraving, printed in black ink, from one copper plate; pen and ink and pencil

Artist: Devonshire, Henry. | Title: Billhead: Dickenson Brothers. Hardware Merchants and General Ironmongers, Hobart Town. | Date: c.1840 | Technique: line-engraving, printed in black ink, from one copper plate; pen and ink inscriptions

Artist: UNKNOWN | Title: Billhead: Hinsby and Calvert, Chemists, Hobart, Tasmania [recto]; Map of Hobart Town [verso] | Date: c.1870 | Technique: engraving, printed in black ink, from one copper plate; pen and ink text

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login