Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse: B

WORKS 1861 – 1880 of 2023 IMAGES ONLY

Sort By:

Results per page:

Artist: Fernyhough, William. | Title: Bungaree, the chief of the Broken Bay tribe Sydney. | Date: 1836 | Technique: pen-lithograph, printed in black ink, from one zinc plate

Artist: Wilson, Hardy. | Title: Bungarribee, Eastern Creek, NSW | Date: (1924) | Technique: collotype

Artist: Newberry, Angela. | Title: Bungle bungle. | Date: 1995 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Darroch, Lee J. | Title: Bunjilaka bag | Date: 2000, November | Technique: linocut, printed in black ink, from one block | Copyright: © Lee Darroch, artist

Artist: Darroch, Lee J. | Title: Bunjilaka baskets | Date: 2000, June | Technique: etching, printed in black ink, from one plate | Copyright: © Lee Darroch, artist

Artist: COLEING, Tony | Title: Bunyah pine meets lilo man. | Date: 1989-90 | Technique: etching, printed in black ink, from one plate

Artist: COLEING, Tony | Title: Bunyah pine meets lilo man. | Date: 1989-90 | Technique: etching, printed in black ink, from one plate

Artist: Moore, Mary. | Title: Buoy meets gal, Rottnest summer | Date: 1988 | Technique: wood-engraving | Copyright: © Mary Moore

Artist: LINDSAY, Lionel | Title: Burden and heat of the day | Date: 1938 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: Jones, Tim. | Title: Burend cobor | Date: 1994 | Technique: lithograph, printed in dark brown ink, from one stone

Artist: Scharf, Theo. | Title: Burglars | Date: c.1922 | Technique: etching and drypoint, printed in black ink, from one plate | Copyright: © The Estate of Theo Scharf.

Artist: LINDSAY, Lionel | Title: Burgos | Date: 1927 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: MADDOCK, Bea | Title: Burial | Date: 1964 | Technique: monotype, printed in oil paint, from one glass plate

Artist: Miller, Peter. | Title: Burn the licences!. | Date: 1954 | Technique: linocut, printed in black ink, from one block

Artist: Johnstone, Ruth. | Title: Burning bush | Date: 1986 - 1987 | Technique: lithograph, printed in grey ink, from one stone

Artist: AMOR, Rick | Title: Burning car | Date: 1997 | Technique: lithograph, printed in black ink, from one stone | Copyright: Image reproduced courtesy the artist and Niagara Galleries, Melbourne

Artist: AMOR, Rick | Title: Burning car NYC | Date: 2000, August | Technique: lithograph, printed in black ink, from one plate | Copyright: Image reproduced courtesy the artist and Niagara Galleries, Melbourne

Artist: Croft, Christopher. | Title: Burning land. | Date: 1973 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Christopher Croft. Licensed by VISCOPY, Australia, 2007.

Artist: Carmichael, John. | Title: Burning Mount - Wingen. | Date: 1838 | Technique: etching, printed in black ink, from one copper plate

Artist: Griffin, Murray. | Title: Burning mountain | Date: 1966 | Technique: linocut, printed in colour, from multiple blocks

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login