Browse: E

WORKS 501 – 520 of 1321 IMAGES ONLY
Artist: Harris, Jeffrey. | Title: End play | Date: 2000 | Technique: liftground etching and aquatint, printed in black ink, from one plate

Jeffrey Harris (1949–)

End play

(2000)

liftground etching and aquatint

Artist: UNKNOWN | Title: End political deportations. | Date: 1977 | Technique: screenprint, printed in black ink, from one stencil

UNKNOWN

End political deportations.

(1977)

screenprint

Artist: MACKINOLTY, Chips | Title: End the state of oppression | Date: 1982 | Technique: screenprint, printed in black ink, from one stencil

Chips Mackinolty (1954–)

End the state of oppression

(1982)

screenprint

Pamela Griffith (1943–)

Endeavour Public Wharf

(1980)

hard-ground

Artist: UNKNOWN | Title: Endgame | Date: 1980 | Technique: screenprint, printed in colour, from two stencils

UNKNOWN

Endgame

(1980)

screenprint

Ending offending.

(2000)

screenprint

Artist: Buckley, Harold Lawrence. | Title: Endless Blue | Date: 1992 | Technique: linocut

Harold Lawrence Buckley (1957–)

Endless Blue

(1992)

linocut

Artist: Buckley, Harold Lawrence. | Title: Endless Time | Date: 1992 | Technique: linocut

Harold Lawrence Buckley (1957–)

Endless Time

(1992)

linocut

Artist: OGILVIE, Helen | Title: Endpiece | Date: (1953) | Technique: wood-engraving, printed in black ink, from one block

Helen Ogilvie (1902–1993)

Endpiece

((1953))

wood-engraving

Artist: Harris, Jeffrey. | Title: Enduring | Date: 2000 | Technique: liftground etching and aquatint, printed in black ink, from one plate

Jeffrey Harris (1949–)

Enduring

(2000)

liftground etching and aquatint

Artist: MEYER, Bill | Title: Energy across converging gaps | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Energy across converging gaps

(1981)

photo-etching

Artist: MEYER, Bill | Title: Energy across water and leaves | Date: 1979-1981 | Technique: screenprint, printed in six colours, from multiple screens | Copyright: © Bill Meyer

Bill Meyer (1942–)

Energy across water and leaves | Water, energy over leaves

(1979-1981)

screenprint

Artist: Shirlow, John. | Title: Energy controlled by mind a faithful servant of mankind. | Date: 1933 (dated) | Technique: etching, printed in warm black ink with plate-tone, from one copper plate

John Shirlow (1869–1936)

Energy controlled by mind a faithful servant of mankind.

(1933 (dated))

etching

Artist: MEYER, Bill | Title: Energy from The Wall | Date: 1981 | Technique: screenprint, printed eight colours, from six screens (including one photo half-tone) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Energy from The Wall

(1981)

screenprint

Brian Blanchflower (1939–)

Energy Source.

Title: Enfant du Cap de Diemen | Date: 1811 | Technique: engraving, printed in black ink, from one plate

Enfant du Cap de Diemen

(1811)

engraving

Artist: Uhlmann, Paul. | Title: Eng | Date: 1987 | Technique: etching and aquatints, printed in black ink, each from one plate; screenprinted text

Paul Uhlmann (1962–)

Eng

(1987)

etching and aquatints

Charles W. Rawling (1901–1996)

Engines at sunset.

(1925?)

etching

Artist: Jennings. | Title: England expects - Join the Navy Now | Technique: watercolour and poster paint

Jennings.

England expects - Join the Navy Now

watercolour and poster paint

Artist: Wienholt, Anne. | Title: English child | Date: 1947 | Technique: engraving and aquatint, printed in black ink, from one copper plate

Anne Wienholt (1920–2018)

English child

(1947)

engraving and aquatint