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WORKS 561 – 580 of 1277 IMAGES ONLY

Entrance of the Paramatta River.

(1803, March 25)

engraving

Artist: Lanceley, Colin. | Title: Entrance of the thugs | Date: 1966 | Technique: screenprint, printed in colour, from seven stencils | Copyright: © Colin Lanceley. Licensed by VISCOPY, Australia

Colin Lanceley (1938–2015)

Entrance of the thugs

(1966)

screenprint

Sydney Ure Smith (1887–1949)

Entrance old colonial Treasury.

(1916)

John Barclay Godson (1882–1957)

Entrance on the harbour.

A.H. Fullwood (1863–1930)

Entrance to 'The Vale', Chelsea.

Artist: MADDOCK, Bea | Title: Entrance to a lane | Date: October 1961 | Technique: lithograph worked in touche, printed in black ink, from one stone

Bea Maddock (1934–2016)

Entrance to a lane

(October 1961)

lithograph worked in touche

Artist: MADDOCK, Bea | Title: Entrance to a lane | Date: October 1961 | Technique: lithograph worked in touche, printed in black ink, from one stone

Bea Maddock (1934–2016)

Entrance to a lane

(October 1961)

lithograph worked in touche

Herbert Rose (1890–1937)

Entrance to Auditorium.

Hardy Wilson (1881–1955)

Entrance to Brownlow Hill, Camden, NSW.

(1924)

collotype

John Barclay Godson (1882–1957)

Entrance to Courtyard of L'Hotel De France, Montreuil*.

Sydney Ure Smith (1887–1949)

Entrance to First Colonial Treasury, Sydney.

John Barclay Godson (1882–1957)

Entrance to Gaol, Berrima, N.S.W.

Victor Cobb (1876–1945)

Entrance to Old Scotch College, Melbourne.

Title: Entrance to Port Jackson | Date: c.1850 | Technique: lithograph, printed in colour, from two stones

Entrance to Port Jackson

(c.1850)

lithograph

Alfred Coffey (1869–1950)

Entrance to St. John's College, Sydney University.

F.C. Terry (1825–1869)

Entrance to Sydney Harbour, North Head seen from the Flagstaff. | Australian Keepsake 1855

(1855)

engraving

F.C. Terry (1825–1869)

Entrance to Sydney Harbour, North Heads and seen from the Flagstaff

(1853)

engraving

Artist: BALDESSIN, George | Title: Entrance to the city. | Date: 1963 | Technique: etching and aquatint, printed in black ink, from one plate

George Baldessin (1939–1978)

Entrance to the city.

(1963)

etching and aquatint

Sydney Ure Smith (1887–1949)

Entrance to the Farm.

Title: Entrance to the gardens. | Date: 2006 | Technique: etching, printed in black ink, from one plate

Entrance to the gardens.

(2006)

etching