Browse: F

WORKS 641 – 660 of 1346 IMAGES ONLY
Artist: Adams, Tate. | Title: Fishing nets drying. | Date: 1953 | Technique: lithograph, printed in black ink, from one zinc plate

Tate Adams (1922–2018)

Fishing nets drying.

(1953)

lithograph

Artist: RED HAND PRINT | Title: Fishing scene at Melville Island | Date: 1999, November | Technique: etching, line-etching, sugarlift aquatint and openbite, printed in blue/black ink, from one plate

RED HAND PRINT (1997–2000)

Fishing scene at Melville Island

(1999, November)

etching

Title: Fishing village | Date: 1959 | Technique: lithograph, printed in black ink, from one stone; linocut, printed in colour, from multiple blocks

Fishing village

(1959)

lithograph

Title: Fishing village | Date: 1950s-60s | Technique: lithograph, printed in black ink, from one stone; linocut, printed in colour, from multiple blocks

Fishing village

(1950s-60s)

lithograph

Title: Fishing village | Date: 1950s-60s | Technique: lithograph, printed in black ink, from one stone; linocut, printed in colour, from multiple blocks

Fishing village

(1950s-60s)

lithograph

Artist: de Kesler, Thomas. | Title: Fishing village. | Date: 1961 | Technique: linocut and lithograph, printed in colour, from four blocks | Copyright: © Thomas de Kessler

Thomas De Kesler (1925–2008)

Fishing village.

(1961)

linocut and lithograph

Artist: EWINS, Rod | Title: Fishmongers Wharf, Billingsgate. | Date: 1964 | Technique: line-engraving, printed in black ink, from one copper plate

Rod Ewins (1940–)

Fishmongers Wharf, Billingsgate.

(1964)

line-engraving

Artist: Johnson, Tim. | Title: Fittings. | Date: c.1971 | Technique: offset-lithograph on typescript | Copyright: © Tim Johnson

Tim Johnson (1947–)

Fittings. | Fittings

(c.1971)

offset-lithograph on typescript

Artist: Angas, George French. | Title: Fitz Roy Bar, Ophir | Date: 1851 | Technique: lithographs, printed in colour, from two stones

George French Angas (1822–1886)

Fitz Roy Bar, Ophir | Fitz Roy Bar, at the junction of the two creeks.

(1851)

lithographs

Title: Fitzrot 4, Strawberry Press, Melbourne. | Date: 1975

Fitzrot 4, Strawberry Press, Melbourne.

(1975)

Artist: MACQUEEN, Mary | Title: Fitzroy | Date: 1956 | Technique: lithograph, printed in colour, from multiple plates | Copyright: Courtesy Paulette Calhoun, for the estate of Mary Macqueen

Mary Macqueen (1912–1994)

Fitzroy

(1956)

lithograph

Artist: Atkins, Ros. | Title: Fitzroy Community Garden | Date: 1999, January | Technique: wood engraving, printed in black ink, from one block

Ros Atkins (1957–)

Fitzroy Community Garden

(1999, January)

wood engraving

Artist: MEYER, Bill | Title: Fitzroy Crossing | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate (mitsui, pre-coated) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Fitzroy Crossing

(1981)

photo-etching

Artist: II.O (PIO) | Title: Fitzroy Flats. | Date: c.1978

II.O (PIO) (1951–)

Fitzroy Flats.

(c.1978)

Artist: Cogne, Francois. | Title: Fitzroy gardens. | Date: 1863-64 | Technique: lithograph, printed in colour, from two stones

Francois Cogne (1829–1883)

Fitzroy gardens.

(1863-64)

lithograph

Artist: Brash, Barbara. | Title: Fitzroy Gardens, Melbourne. | Date: 1946 | Technique: etching printed with plate-tone in black/brown ink from one plate

Barbara Brash (1925–1998)

Fitzroy Gardens, Melbourne.

(1946)

etching printed with plate-tone in black/brown ink from one plate

Artist: Quilty, Ben. | Title: Five. | Date: 2006 | Technique: relief-etching, printed in black ink, from one plate

Ben Quilty (1973–)

Five.

(2006)

relief-etching

Artist: Bettinson, Ian. | Title: Five. | Date: 2005 | Technique: open-bite and aquatint, printed in black ink, from one plate

Ian Bettinson (1956–)

Five.

(2005)

open-bite and aquatint

Artist: Law, Roger. | Title: (Five cockatoos) | Date: 2002 | Technique: aquatint, printed in blue/black ink with plate-tone, from one plate

Roger Law (1941–)

(Five cockatoos)

(2002)

aquatint

Artist: SHIRLOW, John | Title: Five Etchings. | Date: 1904 | Technique: etchings, printed in warm black/brown ink, each from one copper plate; letterpress text

John Shirlow (1869–1936)

Five Etchings.

(1904)

etchings