Browse: H

WORKS 621 – 640 of 995 IMAGES ONLY
Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1914 | Technique: etched zinc plate

Jessie Traill (1881–1967)

Hole in the trees

(c.1914)

etched zinc plate

Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1920 | Technique: etching and aquatint, printed in brown ink, from one zinc plate

Jessie Traill (1881–1967)

Hole in the trees

(c.1920)

etching and aquatint

Artist: TRAILL, Jessie | Title: Hole in the trees. | Date: 1914 | Technique: etching and aquatint, printed in warm black ink with plate-tone, from one zinc plate

Jessie Traill (1881–1967)

Hole in the trees.

(1914)

etching and aquatint

Artist: Nedelkopoulos, Nicholas. | Title: Holidaying in a new depression | Date: 1978 | Technique: etching, printed in black ink, from one plate

Nicholas Nedelkopoulos (1955–)

Holidaying in a new depression

(1978)

etching

Artist: AMOR, Rick | Title: Holland Park. | Date: 1987 | Technique: woodcut, printed in black ink, from one block

Rick Amor (1948–)

Holland Park.

(1987)

woodcut

Artist: AMOR, Rick | Title: Holland Park London. | Date: 1990 | Technique: woodcut, printed in black and grey ink, from two blocks

Rick Amor (1948–)

Holland Park London.

(1990)

woodcut

Artist: Thake, Eric. | Title: Hollow log at Alice Springs | Date: 1948 | Technique: linocut, printed in black ink, from one block

Eric Thake (1904–1982)

Hollow log at Alice Springs

(1948)

linocut

Artist: Djurritjini, Charlie. | Title: Hollow log coffin | Date: c.1992 | Technique: linocut, printed in black ink, from one block

Charlie Djurritjini (1952–)

Hollow log coffin

(c.1992)

linocut

Artist: Maguire, Tim. | Title: Hollyhocks | Date: 1991, June-July | Technique: lithograph, printed in colour, from eight aluminium plates | Copyright: © Tim Maguire

Tim Maguire (1958–)

Hollyhocks

(1991, June-July)

lithograph

Artist: Montgomery, Anne. | Title: (Hollyhocks) | Date: 1930 | Technique: etching, printed in colour with plate-tone, from plate

Anne Montgomery (1908–1991)

(Hollyhocks)

(1930)

etching

Artist: PERCY, W.S. | Title: Hollyhocks. | Date: 1922 | Technique: etching, printed in brown ink, from one plate

W.S. Percy (1872–1946)

Hollyhocks.

(1922)

etching

Artist: PRESTON, Margaret | Title: Hollyhocks | Date: 1928 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

Hollyhocks

(1928)

woodcut

Artist: COLEING, Tony | Title: Hollywood. | Date: 1983 | Technique: softground etching, printed in black ink, from one plate

Tony Coleing (1942–)

Hollywood.

(1983)

softground etching

Artist: COLEING, Tony | Title: Hollywood | Date: 1983 | Technique: etching, printed in black ink, from one plate

Tony Coleing (1942–)

Hollywood

(1983)

etching

Artist: Dyson, Will. | Title: Hollywood no.2: The Higher literate: But understand Miss Hollywood, only with reluctance, with marked reluctance. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood no.2: The Higher literate: "But understand Miss Hollywood, only with reluctance, with marked reluctance".

(c.1929)

etching

Artist: Dyson, Will. | Title: Hollywood: But surely Mr Shakespeare, you will admit two heads is better than one. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood: "But surely Mr Shakespeare, you will admit two heads is better than one".

(c.1929)

etching

Artist: Dyson, Will. | Title: Hollywood: The Executives: And gentlemen our policy shall ever continue to be that of giving the people what they like and if they dont like it, something else exactly like it. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood: The Executives: "And gentlemen our policy shall ever continue to be that of giving the people what they like and if they dont like it, something else exactly like it".

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Hollywood: The Magnates: No my dears, one thing I have never stood for and that is impurity in my films. | Date: c.1930 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood: The Magnates: "No my dears, one thing I have never stood for and that is impurity in my films".

(c.1930)

drypoint

Artist: Dyson, Will. | Title: Hollywood: The Talkies - science: Alas! poor posterity, can you ever forgive me - I've gone and made the Hamlet eternal. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood: The Talkies - science: Alas! poor posterity, can you ever forgive me - I've gone and made the Hamlet eternal.

(c.1929)

etching

Artist: Clutterbuck, Bob. | Title: Holmes à Court: making money with money. | Date: 1987 | Technique: screenprint, printed in colour, from two stencils

Bob Clutterbuck (1951–)

Holmes à Court: making money with money.

(1987)

screenprint