Browse: H

WORKS 1001 – 1020 of 1556 IMAGES ONLY

Thomas Gulliver (1891–1933)

Hobsonville from Herne Bay.

(by 1929)

drypoint

Artist: ACCESS 6 | Title: Hoi Pol Loi. | Date: 1991, June | Technique: screenprint, printed in black ink, from one stencils

ACCESS 6

Hoi Pol Loi.

(1991, June)

screenprint

Artist: BOYD, Arthur | Title: hoisting herself with a rope... | Date: (1970) | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

hoisting herself with a rope...

((1970))

etching and aquatint

Artist: Burgess, Peter. | Title: hokusai: so haiku. | Date: 2001 | Technique: computer generated inkjet prints, printed in colour, from digital file

Peter Burgess (1952–)

hokusai: so haiku. | Art & letters, Part 2

(2001)

computer generated inkjet prints

Artist: VARIOUS | Title: Holand Park Rage | Date: 1990 | Technique: screenprint, printed in colour, from multiple stencils

VARIOUS

Holand Park Rage

(1990)

screenprint

Artist: MEYER, Bill | Title: Holcombe Forest I | Date: 1988 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Bill Meyer

Bill Meyer (1942–)

Holcombe Forest I

(1988)

screenprint

Artist: MEYER, Bill | Title: Holcombe Forest II | Date: 1988 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Bill Meyer

Bill Meyer (1942–)

Holcombe Forest II

(1988)

screenprint

Artist: MEYER, Bill | Title: Holcombe Forest triptych | Date: 1988 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Bill Meyer

Bill Meyer (1942–)

Holcombe Forest triptych

(1988)

screenprint

Artist: MEYER, Bill | Title: Holcombe Forest triptych (HF I, II, III). | Date: 1988 | Technique: screenprint | Copyright: © Bill Meyer

Bill Meyer (1942–)

Holcombe Forest triptych (HF I, II, III).

(1988)

screenprint

Adrienne Fleming (1950–)

Hold the grid.

(2002)

digital

Artist: UNKNOWN | Title: Hold your tongue. | Date: c.1942 | Technique: photo-lithograph, printed in colour, from multiple plates

UNKNOWN

Hold your tongue.

(c.1942)

photo-lithograph

Artist: Moore, Robert. | Title: Holden sedan | Date: 1989 | Technique: lithograph, printed in colour, from multiple stones [or plates]

Robert Moore (1964–)

Holden sedan

(1989)

lithograph

Artist: Moore, Robert. | Title: Holden station wagon | Date: 1989 | Technique: lithograph, printed in colour, from three stones

Robert Moore (1964–)

Holden station wagon

(1989)

lithograph

Artist: Brash, Barbara. | Title: (Holding a vase). | Date: 1950s | Technique: etching, aquatint and lavis, printed in brown ink, from one plate

Barbara Brash (1925–1998)

(Holding a vase).

(1950s)

etching

Artist: Traill, Jessie. | Title: Hole in the trees | Date: c.1920 | Technique: etching and aquatint, printed in brown ink, from one zinc plate

Jessie Traill (1881–1967)

Hole in the trees

(c.1920)

etching and aquatint

Artist: Traill, Jessie. | Title: Hole in the trees. | Date: 1914 | Technique: etching and aquatint, printed in warm black ink with plate-tone, from one zinc plate

Jessie Traill (1881–1967)

Hole in the trees.

(1914)

etching and aquatint

Artist: Traill, Jessie. | Title: Hole in the trees | Date: c.1914 | Technique: etched zinc plate

Jessie Traill (1881–1967)

Hole in the trees

(c.1914)

etched zinc plate

Mary Macqueen (1912–1994)

Holiday mood [recto]

(c.1958)

lithograph

Mary Macqueen (1912–1994)

Holiday mood [verso]

(c.1958)

lithograph

Holiday resort

(2003)

offset-lithographs