Browse: I

WORKS 961 – 980 of 1102 IMAGES ONLY

Tate Adams (1922–2018)

Irish Fishing Village.

Artist: Adams, Tate. | Title: Irish fishing village. | Date: 1954 | Technique: linocut, printed in colour, from three blocks

Tate Adams (1922–2018)

Irish fishing village. | Fishing village

(1954)

linocut

Artist: Adams, Tate. | Title: (Irish fishing village). | Date: 1954 | Technique: linocut, printed in black ink, from one block

Tate Adams (1922–2018)

(Irish fishing village). | Fishing village

(1954)

linocut

Artist: Adams, Tate. | Title: Irish Village. | Date: c.1955 | Technique: lithograph, printed in black ink, from one zinc plate

Tate Adams (1922–2018)

Irish Village.

(c.1955)

lithograph

Artist: Adams, Tate. | Title: [Irish] fishing village. | Date: 1954 | Technique: linocut, printed in colour, from three blocks

Tate Adams (1922–2018)

[Irish] fishing village. | Irish fishing village

(1954)

linocut

Artist: Namatjira, Lenie. | Title: Irolpa | Date: 1995 | Technique: linocut, printed in black ink, from one block

Lenie Namatjira (1951–)

Irolpa | Mount Sonder

(1995)

linocut

Artist: WALKER, Murray | Title: Iron age castle - Wiltshire Hills | Date: 1960 | Technique: drypoint, printed in black ink, from one plate

Murray Walker (1937–)

Iron age castle - Wiltshire Hills

(1960)

drypoint

Artist: WALKER, Murray | Title: Iron age encampment | Date: 1962 | Technique: etching, printed in black ink, from one plate

Murray Walker (1937–)

Iron age encampment

(1962)

etching

Title: Iron age encampment, Wiltshire Hills | Date: 1962 | Technique: drypoint, printed in black ink, from one plate

Iron age encampment, Wiltshire Hills

(1962)

drypoint

Artist: GILL, S.T. | Title: Iron Bark. | Date: 1852 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

Iron Bark.

(1852)

lithograph

Artist: GILL, S.T. | Title: Iron Bark Gully from road to Bendigo. | Date: 1852 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

Iron Bark Gully from road to Bendigo.

(1852)

lithograph

David Armfield (1923–2010)

Iron Baron Landscape.

etching and aquatint

John Shirlow (1869–1936)

Iron Bridge, River Yarra.

Artist: Rees, Lloyd. | Title: Iron Cove, Sydney Harbour | Date: 1978 | Technique: softground etching, printed in blue ink with plate-tone, from one zinc plate | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

Iron Cove, Sydney Harbour

(1978)

softground etching

Artist: Taylor, Simon. | Title: Iron ore red | Date: 2007 | Technique: etching, open-bite and aquatint, printed in colour, from one plate

Simon Taylor (2002–)

Iron ore red

(2007)

etching

Artist: Martin, Mandy. | Title: Iron-Ore Baron | Date: 1977 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Mandy Martin. Licensed by VISCOPY, Australia

Mandy Martin (1952–2021)

"Iron-Ore Baron"

(1977)

screenprint

Ironing at the factory.

(1994-1999)

woodcut

Salvatore Zofrea (1946–)

Ironing at the factory

(1994-1999)

woodcut

Elizabeth Honybun (1953–1984)

Irons, Jugs and underpants

(1980)

Elizabeth Honybun (1953–1984)

Irons, Jugs and underpants

(1980)