Browse: I

WORKS 1061 – 1080 of 1106 IMAGES ONLY
Artist: Callaghan, Mary. | Title: (It's hard to change your life style overnight). | Date: (1976-78) | Technique: screenprint, printed in colour, from 12 stencils

Mary Callaghan (1955–)

(It's hard to change your life style overnight).

((1976-78))

screenprint

Artist: PEARCE, Robert | Title: It's hard to imagine a world without fashion! | Date: 1988 | Technique: offset-lithograph, printed in colour, from multiple plates

Robert Pearce (by 1988)

It's hard to imagine a world without fashion!

(1988)

offset-lithograph

Wendy Howard (2005–)

It's in the diary

(2005)

etching

Jackie Gorring (1953–)

It's my party and I'll scare the dog if I want to

(1998)

lithograph

Artist: TRINIDAD, Paul | Title: It's No Good to me NOW | Date: 1994 | Technique: linocut, printed in colour, from eight blocks

Paul Trinidad (1956–)

It's No Good to me NOW

(1994)

linocut

Artist: Senbergs, Jan. | Title: It's not so easy | Date: 1969 | Technique: screenprint, printed in colour, from six stencils | Copyright: © Jan Senbergs. Licensed by VISCOPY, Australia

Jan Senbergs (1939–)

It's not so easy

(1969)

screenprint

Artist: Clarkson, Jean. | Title: It's not too late. | Date: 1984 | Technique: screenprint, printed in colour, from four stencils

Jean Clarkson (1970–)

It's not too late.

(1984)

screenprint

Artist: ARNOLD, Raymond | Title: It's only a scratch! Gregor Bell, Sculpture/Furniture, Cockatoo Workshop, Launceston. | Date: 1986 | Technique: screenprint, printed in colour, from three stencils

Raymond Arnold (1950–)

It's only a scratch! Gregor Bell, Sculpture/Furniture, Cockatoo Workshop, Launceston.

(1986)

screenprint

Artist: L'Estrange, Sally. | Title: 'It's remarkable how quickly I've been able to disengage. I feel very comfortable' Bill Hayden | Date: 1985 | Technique: etching and aquatint, printed in black ink, from one plate; hand-coloured

Sally L'Estrange (1953–)

'It's remarkable how quickly I've been able to disengage. I feel very comfortable' Bill Hayden

(1985)

etching and aquatint

Artist: Cousins, Marcel. | Title: Itadakimasu. | Date: 1999 | Technique: colour copies; woodcut; collage; spraypaint

Marcel Cousins (1972–)

Itadakimasu.

(1999)

colour copies; woodcut; collage; spraypaint

Artist: Cilento, Margaret. | Title: Italian landscape. | Date: 1950 | Technique: etching, aquatint, printed in black ink with plate-tone, from one plates,

Margaret Cilento (1923–2006)

Italian landscape.

(1950)

etching

Artist: WILLIAMS, Fred | Title: Italian man | Date: 1955-56 | Technique: etching, engraving and drypoint, printed in black ink, from one copper plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

Italian man

(1955-56)

etching

Marguerite Janes

Italian market series, No. 1 (Il Mercato dei Cocei).

John Goodchild (1898–1980)

Italian markets, Rome.

Theo Scharf (1899–1987)

Italian Mountain landscape.

(1930s)

etching and engraving

Artist: Grieve, Robert. | Title: Italian scene | Date: 1954 | Technique: lithograph, printed in black ink, from one stone

Robert Grieve (1924–2006)

Italian scene

(1954)

lithograph

Artist: Tomescu, Aida. | Title: Ithaca I | Date: 1997 | Technique: etching, printed in black ink, from one plate | Copyright: © Aida Tomescu. Licensed by VISCOPY, Australia.

Aida Tomescu (1955–)

Ithaca I

(1997)

etching

Aida Tomescu (1955–)

Ithaca I-X.

(1997)

etchings

Artist: Tomescu, Aida. | Title: Ithaca II | Date: 1997 | Technique: etching, printed in black ink, from one plate | Copyright: © Aida Tomescu. Licensed by VISCOPY, Australia.

Aida Tomescu (1955–)

Ithaca II

(1997)

etching

Artist: Tomescu, Aida. | Title: Ithaca III | Date: 1997 | Technique: etching, printed in black ink, from one plate | Copyright: © Aida Tomescu. Licensed by VISCOPY, Australia.

Aida Tomescu (1955–)

Ithaca III

(1997)

etching