Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse: M

WORKS 1161 – 1180 of 1601 IMAGES ONLY

Sort By:

Results per page:

Artist: Gardiner, Ian. | Title: Morning run. | Date: 1988 | Technique: woodcut, printed in black ink, from one block

Artist: ROSE, David | Title: Morning sea | Date: 1975 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Colbourn, John. | Title: Morning silver. | Date: c.1942 | Technique: linocut, printed in colour, from multiple blocks

Artist: Peart, John. | Title: Morning song | Date: 2004 | Technique: etching, sugar-lift, aquatint and open-bite, printed in black ink, from one plate

Artist: MacFarlane, Stewart. | Title: Morning sun | Date: 1984 | Technique: linocut, printed in black ink, from one block

Artist: LINDSAY, Lionel | Title: Morning tea | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Artist: Gurvich, Rafael. | Title: Morning walk | Date: 1982 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Rafael Gurvich

Artist: Beck, Leonard | Title: Morning. Brisbane water. | Date: c.1930 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Artist: MARLER, G. | Title: Morning. [Bush houses] | Date: c.1928 | Technique: etching, roulette and aquatint, printed in black ink printed with plate-tone, from one plate

Artist: Bull, Norma C. | Title: Mornington. | Date: 1932 | Technique: etching and burnishing, printed in black ink with plate-tone, from one plate

Artist: Hawkins, Weaver. | Title: Morocco | Date: c.1923 | Technique: drypoint, printed in black ink, from one plate | Copyright: The Estate of H.F Weaver Hawkins

Artist: Whitting, Peter. | Title: Moroka diptych I. | Date: 1988 | Technique: etching, printed in black ink, from one plate

Artist: von Guérard, Eugene | Title: Moroka River Falls, foot of Mount Kent, Gippsland | Date: (1866-68) | Technique: lithograph, printed in colour, from multiple stones [or plates]

Artist: Thomas, Edmund. | Title: Morseau de salon Lucrezia | Date: 1857 | Technique: lithograph, printed in colour, from two stones (black, red and ochre ink with buff tint)

Title: Morte accidentale di un anarchico by Dario Fo. | Date: 1978 | Technique: screenprint, printed in colour, from two stencils

Artist: PLATT, Austin | Title: Morton Bay Fig tree Botanic Gardens | Date: 1981 | Technique: etching, printed in black ink, from one plate

Artist: THOM, Mary | Title: Mortuary urn | Date: 1990 | Technique: etching, sugarlift and aquatint, printed in burgandy and yellow ochre inks, from one plate

Artist: Kermode, William. | Title: Moscow has a plan. Jonathon Cape, London, 1931. | Date: 1931 | Technique: lineblocks; letterpress text

Artist: PRESTON, Margaret | Title: Mosman Bay. | Date: 1927 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Artist: PRESTON, Margaret | Title: Mosman Bay | Date: 1920, 26 March | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login