Browse: O

WORKS 1201 – 1220 of 1379 IMAGES ONLY
Artist: FULLWOOD, A.H. | Title: Otter hunting: a check. | Date: 1913 | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

Otter hunting: a check.

(1913)

etching

Artist: Villazon, Jorge. | Title: Otto Rene Castillo, even beneath this bitterness | Date: 1976 | Technique: screenprint, printed in colour, from three stencils

Jorge Villazon (1975–)

Otto Rene Castillo, even beneath this bitterness

(1976)

screenprint

Artist: Senbergs, Jan. | Title: Otway coastal | Date: 1995 | Technique: lift ground and aquatint, printed in black ink, from one plate | Copyright: © Jan Senbergs. Licensed by VISCOPY, Australia

Jan Senbergs (1939–)

Otway coastal

(1995)

lift ground and aquatint

John Goodchild (1898–1980)

Otway Ranges.

(1935)

Artist: Senbergs, Jan. | Title: Otway scrub | Date: 1992 | Technique: etching, printed in black ink, from one plate; chine collé | Copyright: © Jan Senbergs

Jan Senbergs (1939–)

Otway scrub

(1992)

etching

Oui oui [Yes yes]

(2009)

etching

Artist: Tickner, Pauline. | Title: Our assets | Date: 1985 | Technique: screenprint, printed in colour, from multiple stencils

Pauline Tickner (1973–)

Our assets

(1985)

screenprint

Cedric Emanuel (1906–1995)

Our Back Drawing.

Livingston Hopkins (1846–1927)

Our Beautiful Harbour.

etching

Artist: Watson, Judy. | Title: our bones in your collections. | Date: 1997 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Judy Watson. Licensed by VISCOPY, Australia

Judy Watson (1959–)

our bones in your collections.

(1997)

lithograph

Artist: Kennedy, Roy. | Title: Our bridge on the Murrumbidgee | Date: c.1999 | Technique: etching, printed in black ink, from one plate

Roy Kennedy (1934–2021)

Our bridge on the Murrumbidgee

(c.1999)

etching

John Stephen Hampton (1850–)

Our Candidate / mid-1850s Tasmanian political cartoon.

(c.1855)

lithograph

Our convicts what we do and what becomes of them

(c.1865)

lithograph

Title: Our convicts what we do and what becomes of them | Date: c.1865 | Technique: lithograph, printed in black ink, from one stone, hand-coloured

Our convicts what we do and what becomes of them

(c.1865)

lithograph

Andrew Hill (1952–)

Our culture

(1986)

screenprint

Artist: Dyson, Will. | Title: Our dealers: Sorry Mr. Smith, but we only handle artists whose names are difficult to pronounce. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Our dealers: Sorry Mr. Smith, but we only handle artists whose names are difficult to pronounce.

(c.1929)

etching

Artist: Calvert, Samuel. | Title: Our engraver as he appears through the week. | Date: 1856 | Technique: wood-engravings, printed in black ink, each from one block

Samuel Calvert (1828–1913)

Our engraver as he appears through the week.

(1856)

wood-engravings

Our family

(c.1978)

screenprint

Juergen Schossau (1960–)

Our Fine Feathered Friend.

Artist: Bell, Michael. | Title: Our girls pick the best fruit | Date: 1994 | Technique: etching, aquatint and open-bite, printed in black ink, from one plate

Michael Bell (1959–)

Our girls pick the best fruit

(1994)

etching