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WORKS 1221 – 1240 of 1379 IMAGES ONLY
Artist: Watson, Judy. | Title: our hair in your collections. | Date: 1997 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Judy Watson. Licensed by VISCOPY, Australia

Judy Watson (1959–)

our hair in your collections.

(1997)

lithograph

David Rankin (1946–)

Our home.

(1986)

screenprint

Artist: Gittoes, George. | Title: Our house | Date: 1991 | Technique: etching, printed in black ink, from one plate

George Gittoes (1949–)

Our house

(1991)

etching

Artist: Dyson, Will. | Title: Our immortals: Of course my dear Dean Inge, I am biased, my son was a carpenter.. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: "Of course my dear Dean Inge, I am biased, my son was a carpenter.".

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: Ah Mr Hardy, Mr Hardy, if you only knew all the circumstances. | Date: 1929 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Will Dyson (1880–1938)

Our immortals: Ah Mr Hardy, Mr Hardy, if you only knew all the circumstances.

(1929)

drypoint

Will Dyson (1880–1938)

Our immortals: Ah Mr. Hardy, Mr. Hardy, if you only knew all the circumstances.

Artist: Dyson, Will. | Title: Our immortals: Count Leo Tolstoi suspecting an element of sensuality in the Heavenly choir. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: Count Leo Tolstoi suspecting an element of sensuality in the Heavenly choir.

(c.1929)

drypoint

Will Dyson (1880–1938)

Our immortals: Count Leo Tolstoi suspecting an element of sensuality in the Heavenly choir. | Count Leo Tolstoy suspecting sensuality.

Artist: Dyson, Will. | Title: Our immortals: First act, third scene of an old and original comedy by G.B.S. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: First act, third scene of an old and original comedy by G.B.S.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: Much more of this from you George Bernard Shaw and Dr Freud shall hear of it!. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: Much more of this from you George Bernard Shaw and Dr Freud shall hear of it!.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: Thomas Carlyle in a more perfect world regretting the absence of something to denounce. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: Thomas Carlyle in a more perfect world regretting the absence of something to denounce.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: Thomas Hardy finds evidence of canker in the fields of asphode. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: Thomas Hardy finds evidence of canker in the fields of asphode.

(c.1929)

drypoint

Artist: HANRAHAN, Barbara | Title: Our lady of the flowers | Date: 1966 | Technique: lithograph, printed in colour, from three plates

Barbara Hanrahan (1939–1991)

Our lady of the flowers

(1966)

lithograph

Our place will not be found

(c. 2006)

etching

Artist: KILLEN, Granger | Title: 'Our Place' - Chapman Hostel Exhibition - Bitumen River | Date: 1981 | Technique: screenprint, printed in colour, from two stencils

Granger Killen (1964–)

'Our Place' - Chapman Hostel Exhibition - Bitumen River

(1981)

screenprint

Artist: Dyson, Will. | Title: Our poets no.1: The White slavers muse - or Go earn me a Rolls Royce or two. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our poets no.1: The White slavers muse - or "Go earn me a Rolls Royce or two".

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our poets: I'm weeping well today. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our poets: "I'm weeping well today".

(c.1929)

drypoint

Our pornographers: Mother Earth 'Gage your fill poor child, and be done with it...'.

(1930s)

etching

Artist: Hayes, Ray. | Title: Our power lies in organisation | Date: 1979 | Technique: screenprint, printed in colour, from three stencils

Ray Hayes (1978–)

Our power lies in organisation

(1979)

screenprint

Artist: Dyson, Will. | Title: Our psycho analysts The sweating Sphynx or The Secret revealed. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our psycho analysts The sweating Sphynx or The Secret revealed.

(c.1929)

drypoint