Browse: P

WORKS 2001 – 2020 of 2971 IMAGES ONLY
Artist: Angas, George French. | Title: Portraits of the aboriginal inhabitants [7]. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

Portraits of the aboriginal inhabitants [7].

(1846-47)

lithograph

Eric Scott (1892–1978)

Portre de Guillaume (Chartres).

etching

PORTS OF PEARLS.

(1989)

Artist: Taylor, John H. | Title: Portuguese student | Date: 1973 | Technique: linocut, printed in black ink, from one block

John H. Taylor (1921–)

Portuguese student

(1973)

linocut

Artist: Taylor, John H. | Title: Portuguese washer women | Date: 1973 | Technique: linocut, printed in black and grey, from two blocks

John H. Taylor (1921–)

Portuguese washer women

(1973)

linocut

Artist: LINDSAY, Lionel | Title: Posada de la sangre, Toledo | Date: 1926 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Posada de la sangre, Toledo | The inn of the blood

(1926)

etching

Artist: PRESTON, Margaret | Title: Posies of flowers | Date: 1946 | Technique: monotype, printed in colour, from one masonite sheet | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

Posies of flowers | Flowers

(1946)

monotype

Frank Art. (1978–)

Positioning statements: postcard of the last of a series of three advertisements for Artforum January '78.

(1978)

offset-lithograph

Takumi Shinagawa (1908–2009)

Positive and Negative No.

Takumi Shinagawa (1908–2009)

Positive and Negative No. 20.

Artist: COLEING, Tony | Title: Positive for Idea for 'to do with blue' sculpture. | Date: (1975) | Technique: photograpic positive

Tony Coleing (1942–)

Positive for Idea for 'to do with blue' sculpture.

((1975))

photograpic positive

Artist: Barker, George. | Title: Positive identification. | Date: 1974 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © George Barker

George Barker (1942–)

Positive identification.

(1974)

screenprint

Artist: COLEING, Tony | Title: Positive image of drawing for 'to do with blue' sculpture II (1). | Date: (1975) | Technique: photographic positive

Tony Coleing (1942–)

Positive image of drawing for 'to do with blue' sculpture II (1).

((1975))

photographic positive

Artist: MEYER, Bill | Title: Positive negative force and structure | Date: 1981 | Technique: softground-etching and aquatint, printed in black ink, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Positive negative force and structure

(1981)

softground-etching and aquatint

Artist: COLEING, Tony | Title: Positive of a giant cactus for 'de flower' series. | Technique: photograpic positive

Tony Coleing (1942–)

Positive of a giant cactus for 'de flower' series.

photograpic positive

Artist: COLEING, Tony | Title: Positive of drawing for 'to do with blue' sculpture. | Date: (1975) | Technique: photographic positive

Tony Coleing (1942–)

Positive of drawing for 'to do with blue' sculpture.

((1975))

photographic positive

Possession Bay in the Island of South Georgia.

(1777)

engraving

Artist: EWINS, Rod | Title: Possession I. | Date: 1978 | Technique: photo-offset-lithograph and screenprint

Rod Ewins (1940–)

Possession I.

(1978)

photo-offset-lithograph and screenprint

Artist: EWINS, Rod | Title: Possession II. | Date: 1978 | Technique: photo-offset-lithograph and screenprint

Rod Ewins (1940–)

Possession II.

(1978)

photo-offset-lithograph and screenprint

Artist: Hawkins, Weaver. | Title: Possible future. | Date: 1962 | Technique: linocut, printed in black ink, from one block | Copyright: The Estate of H.F Weaver Hawkins

Weaver Hawkins (1893–1977)

Possible future.

(1962)

linocut