Browse: S

WORKS 2301 – 2320 of 2777 IMAGES ONLY
Artist: Senbergs, Jan. | Title: Studio corner | Date: 1992 | Technique: etching, printed in black ink, from one plate | Copyright: © Jan Senbergs

Jan Senbergs (1939–2024)

Studio corner

(1992)

etching

Artist: Scharf, Theo. | Title: (Studio interior) | Date: 1921 | Technique: lithograph, printed in black ink, from one stone | Copyright: © The Estate of Theo Scharf.

Theo Scharf (1899–1987)

(Studio interior)

(1921)

lithograph

Artist: MACQUEEN, Mary | Title: Studio interior | Date: 1956 | Technique: lithograph, printed in red ink, from one plate | Copyright: Courtesy Paulette Calhoun, for the estate of Mary Macqueen

Mary Macqueen (1912–1994)

Studio interior

(1956)

lithograph

Artist: Senbergs, Jan. | Title: Studio pieces | Date: 1992 | Technique: etching, printed in black, from one plate | Copyright: © Jan Senbergs

Jan Senbergs (1939–2024)

Studio pieces

(1992)

etching

Artist: Cummings, Elizabeth. | Title: Studio table. | Date: 2001 | Technique: etching and aquatint, printed in blue/black ink, from one plate

Elizabeth Cummings (1934–)

Studio table.

(2001)

etching and aquatint

Title: Studio to stage: painters of the Russian ballet 1909-1929 [Australian National Gallery exhibition poster]

Studio to stage: painters of the Russian ballet 1909-1929 [Australian National Gallery exhibition poster]

Artist: Eager, Helen. | Title: (Studio with striped blinds). | Date: 1975 | Technique: lithograph, printed in colour, from multiple plates; collage

Helen Eager (1952–)

(Studio with striped blinds).

(1975)

lithograph

Artist: Boag, Yvonne. | Title: Studley Park | Date: 1980s | Technique: lithograph, printed in colour, from two plates | Copyright: © Yvonne Boag

Yvonne Boag (1954–)

Studley Park

(1980s)

lithograph

Artist: Olsen, John. | Title: Study | Date: 1957 | Technique: etching and drypoint, printed in black ink, from one plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Study

(1957)

etching and drypoint

Artist: Olsen, John. | Title: Study at S.W. Hayters | Date: 1957 | Technique: etching and softground-etching, printed in black ink, from one plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Study at S.W. Hayters

(1957)

etching and softground-etching

Artist: Menpes, Mortimer. | Title: Study for Breton baby | Date: c.1890

Mortimer Menpes (1855–1938)

Study for "Breton baby"

(c.1890)

Title: Study for 'A man of few words' | Date: 1963 | Technique: screenprint, printed in colour, from multiple stencils

Study for 'A man of few words'

(1963)

screenprint

Artist: Senbergs, Jan. | Title: Study for 'Inside a machine' [1]. | Date: 1963, July | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Jan Senbergs. Licensed by VISCOPY, Australia

Jan Senbergs (1939–2024)

Study for 'Inside a machine' [1].

(1963, July)

screenprint

Artist: Senbergs, Jan. | Title: Study for 'Inside a machine' [2]. | Date: 1963, July | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Jan Senbergs. Licensed by VISCOPY, Australia

Jan Senbergs (1939–2024)

Study for 'Inside a machine' [2].

(1963, July)

screenprint

Artist: Senbergs, Jan. | Title: Study for 'Inside a machine' [3]. | Date: 1963 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Jan Senbergs. Licensed by VISCOPY, Australia

Jan Senbergs (1939–2024)

Study for 'Inside a machine' [3].

(1963)

screenprint

Artist: Platt, Austin. | Title: Study for aquatint | Date: 1978 | Technique: etching, printed in black ink, from one plate

Austin Platt (1912–2003)

Study for aquatint

(1978)

etching

Artist: Robinson, Sally. | Title: (Study for beach scene) | Date: 1976 | Technique: photo-screenprint, printed in brown ink, from one stencil | Copyright: Represented by Robin Gibson, Sydney, AGOG in Canberra & Editions Gallery, Melbourne

Sally Robinson (1952–)

(Study for beach scene)

(1976)

photo-screenprint

Artist: WICKS, Arthur | Title: Study for blue scream | Date: 1967 | Technique: photo-etching, printed in black ink, from one plate

Arthur Wicks (1937–)

Study for blue scream

(1967)

photo-etching

Artist: MEYER, Bill | Title: Study for Holcombe Forest | Date: 1988 | Technique: screenprint, printed in six colours, from one direct emulsion reduction screen and one hand drawn with charcoal on acetate for indirect photo screen | Copyright: © Bill Meyer

Bill Meyer (1942–)

Study for Holcombe Forest

(1988)

screenprint

Artist: WICKS, Arthur | Title: Study for homage to the bullet | Date: 1967 | Technique: line-engraving, printed in black ink, from one copper plate

Arthur Wicks (1937–)

Study for homage to the bullet

(1967)

line-engraving