Browse: T

WORKS 2161 – 2180 of 4118 IMAGES ONLY
Title: The red bridge | Date: c. 1955 | Technique: screenprint, printed in colour, from multiple stencils

The red bridge

(c. 1955)

screenprint

Title: The red bridge | Date: c. 1955 | Technique: screenprint, printed in colour, from multiple stencils

The red bridge

(c. 1955)

screenprint

Title: The red bridge | Date: c. 1955 | Technique: stamped print, printed in coloured ink, from multiple stamps

The red bridge

(c. 1955)

stamped print

Artist: Brash, Barbara. | Title: The red bridge. | Date: c.1955 | Technique: linocut, printed in colour, from five blocks

Barbara Brash (1925–1998)

The red bridge.

(c.1955)

linocut

Artist: Rooney, Robert. | Title: The red card | Date: 2001, July - August | Technique: photolithograph, printed in colour, from four colour-separation plates | Copyright: Courtesy of Tolarno Galleries

Robert Rooney (1937–2017)

The red card

(2001, July - August)

photolithograph

Artist: GRIFFITH, Pamela | Title: The Red Carnation | Date: 1988 | Technique: hardground-etching and aquatint, printed in colour, from two copper plates | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Red Carnation

(1988)

hardground-etching and aquatint

Artist: GRIFFITH, Pamela | Title: The Red Carnation | Date: 1988 | Technique: hardground-etching and aquatint, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Red Carnation

(1988)

hardground-etching and aquatint

Artist: Bowen, Dean. | Title: The red factory | Date: 1988 | Technique: etching, printed in black ink, from one plate

Dean Bowen (1957–)

The red factory

(1988)

etching

Artist: GRIFFITH, Pamela | Title: The Red Geranium | Date: 1988 | Technique: hardground-etching and aquatint, printed in black ink, from one copper plate; hand-coloured | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Red Geranium

(1988)

hardground-etching and aquatint

Artist: GRIFFITH, Pamela | Title: The Red Geranium | Date: 1988 | Technique: hardground-etching and aquatint, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Red Geranium

(1988)

hardground-etching and aquatint

Artist: GRIFFITH, Pamela | Title: The Red Geranium | Date: 1988 | Technique: hardground-etching and aquatint, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Red Geranium

(1988)

hardground-etching and aquatint

Artist: GRIFFITH, Pamela | Title: The Red Geranium | Date: 1988 | Technique: hardground-etching and aquatint, printed in colour, from two copper plates | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Red Geranium

(1988)

hardground-etching and aquatint

Artist: Ragless, Max. | Title: The red gum | Date: 1933 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: © Max Ragless

Max Ragless (1901–1981)

The red gum

(1933)

drypoint

Artist: Slager, Philip. | Title: The Red House Farm, Windsor in New South Wales. | Date: 1810 (about) | Technique: engraving, printed in black ink, from one copper plate; hand-coloured

Philip Slager (1755–1815)

The Red House Farm, Windsor in New South Wales.

(1810 (about))

engraving

Artist: Traill, Jessie. | Title: The red light, Harbour Bridge, June 1931. | Date: 1932 | Technique: aquatint and etching, printed in brown ink with plate-tone, from one plate; additional hand-colouring

Jessie Traill (1881–1967)

The red light, Harbour Bridge, June 1931.

(1932)

aquatint and etching

Artist: Preston, Margaret. | Title: The red road to Mulgoa. | Date: 1944 | Technique: woodcut, printed in colour, from one masonite block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

The red road to Mulgoa. | Red road to Mulgoa

(1944)

woodcut

Artist: Cummings, Elizabeth. | Title: The red table. | Date: 2001 | Technique: etching and aquatint, printed in colour, from five plates

Elizabeth Cummings (1934–)

The red table.

(2001)

etching and aquatint

Artist: Long, Sydney. | Title: The reflected mill | Date: 1919 | Technique: line-etching and aquatint, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The reflected mill

(1919)

line-etching and aquatint

Artist: Counihan, Noel. | Title: The relieving priest. | Date: 1981 | Technique: lithograph, printed in black ink, from one stone

Noel Counihan (1913–1986)

The relieving priest.

(1981)

lithograph

Artist: McBurnie, Ron. | Title: The reluctant return of the button eyed cat | Date: 1988 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Ron McBurnie

Ron Mcburnie (1957–)

The reluctant return of the button eyed cat

(1988)

etching and aquatint