Browse: T

WORKS 2481 – 2500 of 4119 IMAGES ONLY
Artist: Franklin, Annie. | Title: The Studio. | Date: 1996 | Technique: etching, printed in blue ink, from one zinc plate

Annie Franklin (1962–)

The Studio.

(1996)

etching

Artist: Casbolt, Leonie. | Title: The submission | Date: 1984 | Technique: photo-lithograph, printed in black ink, from one stone

Leonie Casbolt (1959–)

The submission

(1984)

photo-lithograph

Artist: Band, David. | Title: The substitute | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

David Band (1959–2011)

The substitute

(1996)

screenprint

Title: The suburbs | Date: 1968 | Technique: offset-lithograph, printed in black ink, from one plate

The suburbs

(1968)

offset-lithograph

Artist: Lycett, Joseph. | Title: The Sugar Loaf Mountain, near Newcastle, New South Wales. | Date: 1 October 1824 (imprint) | Technique: etching, aquatint and roulette, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

The Sugar Loaf Mountain, near Newcastle, New South Wales.

(1 October 1824 (imprint))

etching

Artist: LINDSAY, Lionel | Title: The Sultan | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Sultan

(1922)

wood-engraving

Artist: LINDSAY, Lionel | Title: The Summit | Date: c.1925 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Summit

(c.1925)

etching

Artist: Rees, Lloyd. | Title: The Summit, Ball's Head | Date: 1978 | Technique: softground etching, printed in blue ink with plate-tone, from one zinc plate | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

The Summit, Ball's Head

(1978)

softground etching

Artist: MACKINOLTY, Chips | Title: The Sun - Official! Uranium income to finance mutation research. | Date: 1977 | Technique: screenprint, printed in colour, from two stencils

Chips Mackinolty (1954–)

The Sun - Official! Uranium income to finance mutation research.

(1977)

screenprint

Artist: HANRAHAN, Barbara | Title: The sun is up | Date: 1983 | Technique: wood-engraving, printed in black ink, from one block

Barbara Hanrahan (1939–1991)

The sun is up

(1983)

wood-engraving

Artist: Brack, John. | Title: The sun lamps. | Date: 1966 | Technique: etching, printed in black ink, from one copper plate | Copyright: © Helen Brack

John Brack (1920–1999)

The sun lamps.

(1966)

etching

Artist: UNKNOWN | Title: The Sun-Herald: Food Riot. | Date: c.1979 | Technique: screenprint, printed in colour, from four stencils

UNKNOWN

The Sun-Herald: Food Riot.

(c.1979)

screenprint

Artist: Kelly, John. | Title: The sun-lovers | Date: 2002 | Technique: etching, printed in black ink, from one plate | Copyright: © John Kelly. Licensed by VISCOPY, Australia.

John Kelly (1965–)

The sun-lovers

(2002)

etching

Artist: LINDSAY, Lionel | Title: The Sundowner | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Sundowner

(1921)

aquatint and burnishing

Artist: Davey, William J. | Title: The sundowner | Date: 1930s | Technique: wood-engraving, printed in brown and yellow ink, from two blocks

William J. Davey (1935–)

The sundowner | While the billy boils

(1930s)

wood-engraving

Artist: Pratt, Douglas. | Title: The sunlit forge. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Douglas Pratt (1900–1972)

The sunlit forge.

(c.1929)

etching

Artist: Coburn, John. | Title: The sunlit plains | Date: 2003 | Technique: aquatint, printed in colour, from multiple plates

John Coburn (1925–2006)

The sunlit plains

(2003)

aquatint

Artist: Bennett, Gordon. | Title: The superimposed footprint (after Margaret Preston) | Date: 1997, September | Technique: lithograph, printed in colour, from five photo-lithographic plates | Copyright: © Gordon Bennett, Licensed by VISCOPY, Australia

Gordon Bennett (1955–2014)

The superimposed footprint (after Margaret Preston)

(1997, September)

lithograph

Artist: GRIFFITH, Pamela | Title: The Supreme Court, Sydney | Date: 1982 | Technique: hardground-etching, aquatint and burnishing, printed in warm black ink, from one zinc plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Supreme Court, Sydney

(1982)

hardground-etching

Artist: BOYD, Arthur | Title: The survivor. | Date: 1971 | Technique: etching

Arthur Boyd (1920–1999)

The survivor.

(1971)

etching