Browse: T

WORKS 2501 – 2520 of 4119 IMAGES ONLY
Artist: Febey, Rodney. | Title: The swamp men. | Date: 1982 | Technique: photocopy, printed in black ink, from hand drawn artwork

Rodney Febey (1982–)

The swamp men.

(1982)

photocopy

Artist: LINDSAY, Lionel | Title: The swan | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The swan | Swan and waterlilies | The white swan

(1924)

wood-engraving

Artist: Shearer, Mitzi. | Title: The swan that isn't | Date: 1977

Mitzi Shearer (1909–1995)

The swan that isn't

(1977)

Artist: Shearer, Mitzi. | Title: The swan that isn't | Date: 1977 | Technique: linocut, printed in colour from, five blocks

Mitzi Shearer (1909–1995)

The swan that isn't

(1977)

linocut

Artist: HANRAHAN, Barbara | Title: The sweetening of the year | Date: 1983 | Technique: wood-engraving, printed in black ink, from one block

Barbara Hanrahan (1939–1991)

The sweetening of the year

(1983)

wood-engraving

Artist: Proctor, Thea. | Title: The swing. | Date: (1925) | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Art Gallery of New South Wales

Thea Proctor (1879–1966)

The swing.

((1925))

woodcut

Artist: Owen, Gladys. | Title: The Sydney Bridge. | Date: 1932 (exhibited) | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

Gladys Owen (1889–1960)

The Sydney Bridge.

(1932 (exhibited))

wood-engraving

Artist: GRIFFITH, Pamela | Title: The Sydney Harbour Bridge | Date: 1988 | Technique: hardground-etching, aquatint and burnishing, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Sydney Harbour Bridge

(1988)

hardground-etching

Artist: TIPPING, Richard | Title: The Sydney Morning Herald Vol.III from Words Works 1979-1992 including works from the on-going series Roadsigned and Subvertising. | Date: 1992 | Technique: screenprints, printed in colour

Richard Tipping (1949–)

The Sydney Morning Herald Vol.III from Words Works 1979-1992 including works from the on-going series Roadsigned and Subvertising.

(1992)

screenprints

Artist: GRIFFITH, Pamela | Title: The Sydney Opera House | Date: 1988 | Technique: hardground-etching and aquatint, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Sydney Opera House

(1988)

hardground-etching and aquatint

Artist: Shirlow, John. | Title: The Sydney set of six etchings | Date: (1917-18) | Technique: etchings, printed in brown/black ink, each from one copper plate

John Shirlow (1869–1936)

The Sydney set of six etchings

((1917-18))

etchings

Artist: Thorpe, Hall. | Title: The Synagogue | Date: 1897 | Technique: etching, printed in brown ink, from one plate

Hall Thorpe (1874–1947)

The Synagogue

(1897)

etching

Artist: BALDESSIN, George | Title: The table. | Date: 1974 | Technique: etching and aquatint, printed in colour ink, from one shaped plate

George Baldessin (1939–1978)

The table.

(1974)

etching and aquatint

Artist: Green, Mike. | Title: The table. | Date: 1986 | Technique: screenprint, printed in colour, from 20 stencils

Mike Green (1941–)

The table.

(1986)

screenprint

Artist: Lycett, Joseph. | Title: The Table Mountain, from the end of Jericho Plains, Van Diemen's Land. | Date: 1825 (imprint) | Technique: etching, and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

The Table Mountain, from the end of Jericho Plains, Van Diemen's Land.

(1825 (imprint))

etching

Artist: Lycett, Joseph. | Title: The Table Mountain, from the end of Jericho Plains, Van Diemen's Land. [lithographic version] | Date: 1 August 1824 (imprint) | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Joseph Lycett (1775–1828)

The Table Mountain, from the end of Jericho Plains, Van Diemen's Land. [lithographic version]

(1 August 1824 (imprint))

lithograph

Artist: Proctor, Thea. | Title: The tame bird | Date: 1916 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Art Gallery of New South Wales

Thea Proctor (1879–1966)

The tame bird

(1916)

lithograph

Artist: Mahoney, Will. | Title: The Tandem act | Date: 1931 | Technique: drypoint, printed in black ink, from one plate

Will Mahoney (1905–1989)

The Tandem act

(1931)

drypoint

Artist: Russell,, Deborah. | Title: The tank | Date: 1988 | Technique: lithograph, printed in blue ink, from one plate

Deborah Russell, (1951–)

The tank

(1988)

lithograph

Artist: Rawling, Charles W. | Title: The tanks, Broken Hill Proprietary Mine | Date: 1925 | Technique: etching, printed in brown ink with plate-tone, from one plate

Charles W. Rawling (1901–1996)

The tanks, Broken Hill Proprietary Mine

(1925)

etching