Browse: T

WORKS 621 – 640 of 4128 IMAGES ONLY
Artist: UNKNOWN | Title: The Bankruptcy Ball with The Works, Wasted Daze. | Date: 1979 | Technique: screenprint, printed in black ink, from one stencil

UNKNOWN

The Bankruptcy Ball with The Works, Wasted Daze.

(1979)

screenprint

Artist: PRESTON, Margaret | Title: The Banksia tree. | Date: 1939 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

The Banksia tree. | Old banksia tree

(1939)

woodcut

Artist: BALDESSIN, George | Title: The banquet. | Date: 1971 | Technique: etching and aquatint, printed in black ink, from one shaped plate; stencil, printed in pink ink, from three stencils.

George Baldessin (1939–1978)

The banquet.

(1971)

etching and aquatint

Artist: Coventry, Frederick. | Title: The barbaric property wall. | Date: 1929-30 | Technique: engraving, printed in black ink, from one copper plate

Frederick Coventry (1905–1997)

The barbaric property wall.

(1929-30)

engraving

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The barber of Bou-Saada, Algeria

(1929)

etching

Artist: Lanceley, Colin. | Title: The barber of Seville | Date: 1997, January | Technique: lithograph, printed in colour, from four stones

Colin Lanceley (1938–2015)

The barber of Seville

(1997, January)

lithograph

Artist: LITTLE, Colin | Title: The bark: Buses leave for Nimbin. | Date: 1973 | Technique: screenprint, printed in colour, from four stencils

Colin Little (1952–1982)

The bark: Buses leave for Nimbin.

(1973)

screenprint

Artist: LITTLE, Colin | Title: The bark: Buses leave for Nimbin. | Date: 1973 | Technique: screenprint, printed in colour, from four stencils

Colin Little (1952–1982)

The bark: Buses leave for Nimbin.

(1973)

screenprint

Artist: Gruner, Elioth. | Title: The barn. | Date: 1919 | Technique: drypoint, printed in dark brown ink with plate-tone, from one plate

Elioth Gruner (1882–1939)

The barn.

(1919)

drypoint

Artist: FULLWOOD, A.H. | Title: The barn. | Date: 1904 | Technique: monotype, printed in colour, from one plate

A.H. Fullwood (1863–1930)

The barn.

(1904)

monotype

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

Allan Glover (1900–1984)

The Barn, Magill

(1929)

etching

Title: The Barracks. | Date: 1833 | Technique: lithograph, printed in black ink, from one stone

The Barracks.

(1833)

lithograph

Artist: GRIFFITH, Pamela | Title: The Barracks under restoration | Date: 1981 | Technique: hard ground, aquatint, photo-transfer from Kodalith on one zinc | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Barracks under restoration

(1981)

hard ground

Artist: PROIOS, Stergios | Title: The barrier is not language: Ford Broadmeadows 1973 | Date: (1985) | Technique: screenprint, printed in colour, from multiple stencils

Stergios Proios

The barrier is not language: Ford Broadmeadows 1973

((1985))

screenprint

Artist: Barwell, Geoff. | Title: (The bass player). | Date: (1955) | Technique: linocut, printed in colour, from two blocks

Geoff Barwell (1920–1961)

(The bass player).

((1955))

linocut

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Bassra guard | The Bazra Guard

(1929)

drypoint

Artist: WILLIAMS, Fred | Title: The bath | Date: 1955-56 | Technique: etching, aquatint, rough biting, printed in black ink, from one zinc plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

The bath

(1955-56)

etching

Artist: BALDESSIN, George | Title: The bath. | Date: 1971 | Technique: etching and aquatint, printed in black ink, from one plate.

George Baldessin (1939–1978)

The bath.

(1971)

etching and aquatint

Artist: Mather, John. | Title: The bath, Healesville. | Date: c.1895 | Technique: etching, printed in black ink with plate-tone, from one plate

John Mather (1848–1916)

The bath, Healesville. | The bathers

(c.1895)

etching

Artist: Reynolds, Frederick George. | Title: The bather | Date: (1928) | Technique: woodcut, printed in warm black ink, from one block

Frederick George Reynolds (1880–1932)

The bather

((1928))

woodcut