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WORKS 621 – 640 of 4116 IMAGES ONLY

Frederick Coventry (1905–1997)

The barbaric property wall.

(1929-30)

engraving

Lionel Lindsay (1874–1961)

The barber of Bou-Saada, Algeria

(1929)

etching

Colin Lanceley (1938–2015)

The barber of Seville

(1997, January)

lithograph

Colin Little (1952–1982)

The bark: Buses leave for Nimbin.

(1973)

screenprint

Colin Little (1952–1982)

The bark: Buses leave for Nimbin.

(1973)

screenprint

Elioth Gruner (1882–1939)

The barn.

(1919)

drypoint

A.H. Fullwood (1863–1930)

The barn.

(1904)

monotype

Allan Glover (1900–1984)

The Barn, Magill

(1929)

etching

Charles Atkinson (1806–1837)

The Barracks.

(1833)

lithograph

Pamela Griffith (1943–)

The Barracks under restoration

(1981)

hard ground

Stergios Proios

The barrier is not language: Ford Broadmeadows 1973

((1985))

screenprint

Geoff Barwell (1926–1963)

(The bass player).

((1955))

linocut

Lionel Lindsay (1874–1961)

The Bassra guard | The Bazra Guard

(1929)

drypoint

George Baldessin (1939–1978)

The bath.

(1971)

etching and aquatint

Fred Williams (1927–1982)

The bath

(1955-56)

etching

John Mather (1848–1916)

The bath, Healesville. | The bathers

(c.1895)

etching

Frederick George Reynolds (1880–1932)

The bather

((1928))

woodcut

Rex Wood (1908–1970)

The bather

(c.1934)

linocut

George Baldessin (1939–1978)

The bather I. | (Untitled lithograph - figure in a circle II)

(1973)

lithograph

George Baldessin (1939–1978)

The bather I. | (Untitled lithograph - figure in circle)

(1973)

lithograph