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WORKS 621 – 640 of 4128 IMAGES ONLY

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Artist: UNKNOWN | Title: The Bankruptcy Ball with The Works, Wasted Daze. | Date: 1979 | Technique: screenprint, printed in black ink, from one stencil

Artist: PRESTON, Margaret | Title: The Banksia tree. | Date: 1939 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Artist: BALDESSIN, George | Title: The banquet. | Date: 1971 | Technique: etching and aquatint, printed in black ink, from one shaped plate; stencil, printed in pink ink, from three stencils.

Artist: Coventry, Frederick. | Title: The barbaric property wall. | Date: 1929-30 | Technique: engraving, printed in black ink, from one copper plate

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: Lanceley, Colin. | Title: The barber of Seville | Date: 1997, January | Technique: lithograph, printed in colour, from four stones

Artist: LITTLE, Colin | Title: The bark: Buses leave for Nimbin. | Date: 1973 | Technique: screenprint, printed in colour, from four stencils

Artist: LITTLE, Colin | Title: The bark: Buses leave for Nimbin. | Date: 1973 | Technique: screenprint, printed in colour, from four stencils

Artist: Gruner, Elioth. | Title: The barn. | Date: 1919 | Technique: drypoint, printed in dark brown ink with plate-tone, from one plate

Artist: FULLWOOD, A.H. | Title: The barn. | Date: 1904 | Technique: monotype, printed in colour, from one plate

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

Title: The Barracks. | Date: 1833 | Technique: lithograph, printed in black ink, from one stone

Artist: GRIFFITH, Pamela | Title: The Barracks under restoration | Date: 1981 | Technique: hard ground, aquatint, photo-transfer from Kodalith on one zinc | Copyright: © Pamela Griffith

Artist: PROIOS, Stergios | Title: The barrier is not language: Ford Broadmeadows 1973 | Date: (1985) | Technique: screenprint, printed in colour, from multiple stencils

Artist: Barwell, Geoff. | Title: (The bass player). | Date: (1955) | Technique: linocut, printed in colour, from two blocks

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: WILLIAMS, Fred | Title: The bath | Date: 1955-56 | Technique: etching, aquatint, rough biting, printed in black ink, from one zinc plate | Copyright: © Fred Williams Estate

Artist: BALDESSIN, George | Title: The bath. | Date: 1971 | Technique: etching and aquatint, printed in black ink, from one plate.

Artist: Mather, John. | Title: The bath, Healesville. | Date: c.1895 | Technique: etching, printed in black ink with plate-tone, from one plate

Artist: Reynolds, Frederick George. | Title: The bather | Date: (1928) | Technique: woodcut, printed in warm black ink, from one block

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