Browse: T

WORKS 661 – 680 of 4128 IMAGES ONLY
Artist: AMOR, Rick | Title: The beast. | Date: 1988 | Technique: woodcut, printed in black ink, from one block

Rick Amor (1948–)

The beast.

(1988)

woodcut

Artist: RADO, Ann | Title: The beast that doesn't exist... | Date: 1996, 14 February | Technique: lithograph (maniere noir), printed in black ink (reverse image), from one stone

Ann Rado (1935–)

The beast that doesn't exist...

(1996, 14 February)

lithograph (maniere noir)

Artist: SHEARER, Mitzi | Title: the beauty contest | Date: 1978

Mitzi Shearer (1909–1995)

the beauty contest

(1978)

Artist: Faerber, Ruth. | Title: The becoming | Date: 1975 | Technique: lithograph, printed in black ink, from multiple paper plates

Ruth Faerber (1922–)

The becoming

(1975)

lithograph

Artist: Spowers, Ethel. | Title: The bee. | Date: c.1925 | Technique: linocut, printed in colour in the Japanese manner, from multiple blocks

Ethel Spowers (1890–1947)

The bee.

(c.1925)

linocut

Artist: Buckley, Sue. | Title: The beehive. | Date: 1980 | Technique: woodcut, printed in colour, from multiple blocks; lithograph, printed in colour; screenprinted, printed in colour | Copyright: This work appears on screen courtesy of Sue Buckley and her sister Jean Hanrahan

Sue Buckley (1911–1986)

The beehive.

(1980)

woodcut

Artist: Hawkins, Weaver. | Title: The beginning | Date: 1963 | Technique: woodcut, printed in colour, from multiple blocks | Copyright: The Estate of H.F Weaver Hawkins

Weaver Hawkins (1893–1977)

The beginning

(1963)

woodcut

Artist: JENUARRIE | Title: The beginning II | Date: 1986 | Technique: llinocut, printed in black from one block

JENUARRIE (1944–)

The beginning II

(1986)

llinocut

Artist: Hirschfeld Mack, Ludwig. | Title: The beginning of creation: complementary contrast [recto]; (Study for 'The beginning of creation: complementary contrast) [verso} | Date: (1960-65) | Technique: transfer print; watercolour addition (recto)

Ludwig Hirschfeld Mack (1893–1965)

The beginning of creation: complementary contrast [recto]; (Study for 'The beginning of creation: complementary contrast) [verso}

((1960-65))

transfer print; watercolour addition (recto)

Artist: Bonetti, Tony. | Title: The beheading of the forerunner | Date: 1997, June | Technique: linocut and woodblock, printed in colour, from four blocks

Tony Bonetti (1953–)

The beheading of the forerunner

(1997, June)

linocut and woodblock

Artist: Bonetti, Tony. | Title: The beheading of the forerunner | Date: 1996 | Technique: linocut, printed in black ink, from one block

Tony Bonetti (1953–)

The beheading of the forerunner

(1996)

linocut

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The belfry, Bruges

(c.1919)

line-etching and drypoint

Artist: EARTHWORKS POSTER COLLECTIVE | Title: The belly of Capitalism is never full | Date: 1978 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Raymond John Young

EARTHWORKS POSTER COLLECTIVE (1972–1979)

The belly of Capitalism is never full

(1978)

screenprint

Artist: HANRAHAN, Barbara | Title: The beloved | Date: 1974 | Technique: etching, printed in black ink with plate-tone, from one plate

Barbara Hanrahan (1939–1991)

The beloved

(1974)

etching

Artist: HANRAHAN, Barbara | Title: The beloved | Date: 1961 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Barbara Hanrahan (1939–1991)

The beloved

(1961)

drypoint

Title: The bent tree, Tuggerah Lake | Date: c.1925 | Technique: etching, printed in black ink, from one plate

The bent tree, Tuggerah Lake

(c.1925)

etching

Artist: WORSTEAD, Paul | Title: The best lack all conviction | Date: 1989 | Technique: screenprint, printed in black ink, from one stencil | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

The best lack all conviction

(1989)

screenprint

Artist: Upward, Peter. | Title: The bewitched Devi Kunti angrily orders her son Sadewa sacrificed | Date: 1974 | Technique: screenprint, printed in colour, from 13 stencils

Peter Upward (1932–1983)

The bewitched Devi Kunti angrily orders her son Sadewa sacrificed

(1974)

screenprint

Artist: Coburn, John. | Title: The Biennale of Sydney Opera House, November 23, 1973 | Date: 1973 | Technique: screenprint, printed in colour, from multiple stencils

John Coburn (1925–2006)

The Biennale of Sydney Opera House, November 23, 1973

(1973)

screenprint

Artist: Coburn, John. | Title: The Biennale of Sydney Opera House, November 23, 1973 | Date: 1973 | Technique: screenprint, printed in colour, from multiple stencils

John Coburn (1925–2006)

The Biennale of Sydney Opera House, November 23, 1973

(1973)

screenprint