Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse: T

WORKS 821 – 840 of 4128 IMAGES ONLY

Sort By:

Results per page:

Title: The Cabinet of Dr Caligari | Date: c.1985 | Technique: off-set lithograph

Artist: VARIOUS ARTISTS | Title: The Cabosse (Title page). | Date: 1992 | Technique: screenprint, printed in black ink, from one stencil

Artist: KING, Grahame | Title: The cage | Date: 1977 | Technique: lithograph, printed in colour, from five stones [or plates]

Artist: Daws, Lawrence. | Title: The cage. | Date: 1970-72 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Lawrence Daws

Artist: POTTER, Sarah | Title: The cage | Date: 1987 | Technique: lithograph, printed in black ink, from one stone

Artist: BALDESSIN, George | Title: The cage (figure in enclosure). | Date: 1966 | Technique: etching and aquatint, printed in black ink, from one plate

Artist: Febey, Rodney. | Title: The Calhouns. | Date: 1982 | Technique: photocopy, printed in black ink, from hand drawn artwork

Artist: LONG, Sydney | Title: The camp in the forest | Date: 1920 | Technique: softground-etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: White, Robin. | Title: The canoe is in the bareaka | Date: 1983 | Technique: woodcut, printed in colour, from four blocks (black and three brown inks)

Artist: LINDSAY, Lionel | Title: The Canon's niece, Spain | Date: 1919 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: Doggett-Williams, Phillip. | Title: The capital. | Date: 1987 | Technique: lithograph, printed in brown ink, from one stone [or plate]

Artist: Gittoes, George. | Title: The capsule. | Date: 1971 | Technique: etching, printed in black ink, from one plate

Artist: Shaw, Rod. | Title: The Captain of Kopenick [by] Carl Zuckmayer adapted by John Mortimer, New Theatre, Newtown | Date: 1977 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Kriegel, Adam. | Title: The captive | Date: 1950s | Technique: linocut, printed in black ink, from one block

Artist: Bainbridge, John. | Title: The Captive heart. An Ealing studios film. | Date: c.1950 | Technique: lithograph, printed in colour, from multiple stones [or plates]

Artist: Gittoes, George. | Title: The captured gun | Date: 1988 | Technique: etching and aquatint, printed in black ink, from one plate

Artist: Thorpe, Hall. | Title: The caravan | Date: c.1925 | Technique: woodcut, printed in colour, from multiple blocks

Artist: Kenyon, Therese. | Title: The Carpentaria and State Dockyard from Stevenson Place | Date: 1985 | Technique: screenprint, printed in colour, from multiple stencils

Artist: LINDSAY, Lionel | Title: The carpenter | Date: 1914 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: LINDSAY, Lionel | Title: The carpenter's shop, Toledo | Date: 1926 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login