Browse: T

WORKS 941 – 960 of 4128 IMAGES ONLY
Artist: Allen, Joyce. | Title: The conspirators. | Date: 1963 | Technique: linocut, printed in black ink, from one block

Joyce Allen (1916–1992)

The conspirators.

(1963)

linocut

Artist: Jack, Kenneth. | Title: The constable and his family, Gulgong | Date: 1953 | Technique: lithograph, printed in colour, from three zinc plates | Copyright: © Kenneth Jack. Licensed by VISCOPY, Australia

Kenneth Jack (1924–2006)

The constable and his family, Gulgong

(1953)

lithograph

Artist: LINDSAY, Lionel | Title: The Constable's Chapel, Burgos | Date: 1944 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Constable's Chapel, Burgos

(1944)

etching

Artist: ARNOLD, Raymond | Title: The constructed image, an exhibition of photographs by Ruth Frost and Anne McDonald, Chameleon, Hobart. | Date: 1984 | Technique: screenprint, printed in colour, from three stencils

Raymond Arnold (1950–)

The constructed image, an exhibition of photographs by Ruth Frost and Anne McDonald, Chameleon, Hobart.

(1984)

screenprint

Artist: Gittoes, George. | Title: The consultation. | Date: 1971 | Technique: etching, printed in black ink, from one plate

George Gittoes (1949–)

The consultation.

(1971)

etching

Artist: Payne, Patsy. | Title: The contents of my world | Date: 1992 | Technique: wood-engraving, printed in black ink, from one block

Patsy Payne (1955–)

The contents of my world

(1992)

wood-engraving

Artist: LINDSAY, Lionel | Title: The Convent of Huelgas near Bourgos | Date: 1927 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Convent of Huelgas near Bourgos | Huelgas

(1927)

drypoint

Artist: LINDSAY, Lionel | Title: The Convent of Huelgas near Bourgos | Date: 1927 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Convent of Huelgas near Bourgos | Huelgas

(1927)

drypoint

Artist: Dyson, Will. | Title: The cookers near Villers-Brettoneux. | Date: 1918 | Technique: lithograph, printed in black ink, from one stone Arnold unbleached

Will Dyson (1880–1938)

The cookers near Villers-Brettoneux.

(1918)

lithograph

Artist: Rawling, Charles W. | Title: The cooling tower | Date: 1925 | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

Charles W. Rawling (1901–1996)

The cooling tower

(1925)

etching and foul biting

Artist: Bowen, Dean. | Title: The copper mine | Date: 1989 | Technique: lithograph, printed in colour, from multiple stones

Dean Bowen (1957–)

The copper mine

(1989)

lithograph

Artist: Mansell, Byram. | Title: The coral grotto, Barrier Reef | Date: 1942 | Technique: monotype, printed in colour

Byram Mansell (1894–1977)

The coral grotto, Barrier Reef

(1942)

monotype

Artist: LINDSAY, Lionel | Title: The Cordeliers' Gate, Loches, France | Date: 1931 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Cordeliers' Gate, Loches, France | The Porte des Cordeliers

(1931)

etching

Artist: Cornish, Muriel. | Title: The corner of the street. | Date: 1936 | Technique: linocut, printed in black ink, from one block

Muriel Cornish (1893–1945)

The corner of the street.

(1936)

linocut

Title: The coronation of Daisy, Harry at the evil | Date: 1989 | Technique: linocut, printed in black ink, from one block

The coronation of Daisy, Harry at the evil

(1989)

linocut

Artist: Casey, Karen. | Title: The Coroners Hotel | Date: 1988 | Technique: offset lithograph, printed in colour, from process colour plates plus black

Karen Casey (1956–2021)

The Coroners Hotel

(1988)

offset lithograph

Artist: Owen, Gladys. | Title: The corral, Segovia, Spain | Date: 1929 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

Gladys Owen (1889–1960)

The corral, Segovia, Spain

(1929)

wood-engraving

Title: The cost | Date: 2007 | Technique: hardground etching, aquatint and burnishing, printed in colour, from a single copper plate

The cost

(2007)

hardground etching

Artist: RIACH, Trevor | Title: The cottage | Date: 1988 | Technique: aquatint, printed in black ink, from one plate

Trevor Riach (1958–)

The cottage

(1988)

aquatint

Artist: RIACH, Trevor | Title: The cottage | Technique: etching and aquatint, printed in black ink, from one plate

Trevor Riach (1958–)

The cottage

etching and aquatint