Browse: T

WORKS 1001 – 1020 of 4128 IMAGES ONLY
Artist: SCA STUDENTS | Title: The Dangerous Game of Mirrors exhibition...Sydney College of the Arts. | Date: 1982 | Technique: screenprint, printed in colour, from two stencils

SCA STUDENTS

The Dangerous Game of Mirrors exhibition...Sydney College of the Arts.

(1982)

screenprint

Artist: WALKER, Murray | Title: The dark at the end of the day. | Date: 1966 | Technique: etching and aquatint, printed in black ink, from one plate

Murray Walker (1937–)

The dark at the end of the day.

(1966)

etching and aquatint

Title: The dark changes | Date: 1965 | Technique: aquatint and open-biting, printed in black ink, from one plate

The dark changes

(1965)

aquatint and open-biting

Artist: Kempf, Franz. | Title: The dark changes | Date: 1964 | Technique: etching, aquatint and roulette, printed with plate te | Copyright: © Franz Kempf

Franz Kempf (1926–2020)

The dark changes

(1964)

etching

Artist: Waller, Christian. | Title: The Daughter of the Sun | Date: 1932 | Technique: lithograph, printed in black ink, from one zinc plate

Christian Waller (1894–1954)

The Daughter of the Sun

(1932)

lithograph

Artist: Slawik, Bernard. | Title: The day after tomorrow | Date: 1981 | Technique: etching, aquatint printed with plate-tone

Bernard Slawik (1904–1991)

The day after tomorrow

(1981)

etching

Artist: Goodhart, J.C. | Title: The day shift, Proprietary Mine, Broken Hill | Date: 1926 | Technique: etching and aquatint, printed in brown ink, from one plate with pencil addition

J.C. Goodhart (1873–1952)

The day shift, Proprietary Mine, Broken Hill

(1926)

etching and aquatint

Artist: COLEING, Tony | Title: The de flower machine, or study for a sculpture. | Date: 1975 | Technique: screenprint, printed in colour, from five stencils

Tony Coleing (1942–)

The de flower machine, or study for a sculpture.

(1975)

screenprint

Artist: COLEING, Tony | Title: The de flower machine, or study for a sculpture. | Date: 1975 | Technique: screenprint, printed in colour, from five stencils

Tony Coleing (1942–)

The de flower machine, or study for a sculpture.

(1975)

screenprint

Artist: Gleeson, William. | Title: The Dead Christ | Date: 1955 | Technique: linocut, printed in colour, from four blocks | Copyright: This work appears on screen courtesy of the artist

William Gleeson (1927–1999)

The Dead Christ

(1955)

linocut

Artist: Gleeson, William. | Title: The dead Christ | Date: 1955 | Technique: linocut, printed in colour, from four blocks | Copyright: This work appears on screen courtesy of the artist

William Gleeson (1927–1999)

The dead Christ

(1955)

linocut

Title: The dead house | Technique: linocut, printed in black and blue ink, from two blocks

The dead house

linocut

Artist: Thorpe, Lesbia. | Title: The dead house | Technique: linocut, printed in colour, from two blocks

Lesbia Thorpe (1919–2009)

The dead house

linocut

Artist: Taylor, John H. | Title: The dead kangaroo | Date: 1984 | Technique: linocut, printed in black ink, from one block

John H. Taylor (1921–)

The dead kangaroo

(1984)

linocut

Artist: SIDMAN, William | Title: The dead sparrow | Date: 1890s | Technique: etching, printed in black ink with plate-tone, from one copper plate

William Sidman (1847–1918)

The dead sparrow

(1890s)

etching

Artist: Palmer, Ethleen. | Title: The dead trees | Date: 1949 | Technique: screenprint, printed in colour, from multiple stencils

Ethleen Palmer (1906–1958)

The dead trees

(1949)

screenprint

Artist: Newmarch, Ann. | Title: The death card | Date: 1979 | Technique: screenprint, printed in colour, from multiple stencils

Ann Newmarch (1945–2022)

The death card

(1979)

screenprint

Artist: Coveny, Christopher. | Title: The death of Foulon (Tale of Two Cities). | Date: 1882 | Technique: etching, printed in black ink, from one plate

Christopher Coveny (1846–1941)

The death of Foulon (Tale of Two Cities).

(1882)

etching

Artist: Barwell, Jennifer. | Title: (The death of Lazarus). | Date: (1955) | Technique: softground etching and aquatint printed in brown ink from one plate

Jennifer Barwell (1932–)

(The death of Lazarus).

((1955))

softground etching and aquatint printed in brown ink from one plate

Artist: Haxton, Elaine | Title: The death of minotaur | Date: 1967 | Technique: etching, drypoint and aquatint

Elaine Haxton (1909–1999)

The death of minotaur

(1967)

etching