Browse: T

WORKS 1001 – 1020 of 4117 IMAGES ONLY
Artist: LINDSAY, Lionel | Title: The dancer | Date: 1917 | Technique: spirit-aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The dancer

(1917)

spirit-aquatint

Artist: SCA STUDENTS | Title: The Dangerous Game of Mirrors exhibition...Sydney College of the Arts. | Date: 1982 | Technique: screenprint, printed in colour, from two stencils

SCA STUDENTS

The Dangerous Game of Mirrors exhibition...Sydney College of the Arts.

(1982)

screenprint

Artist: WALKER, Murray | Title: The dark at the end of the day. | Date: 1966 | Technique: etching and aquatint, printed in black ink, from one plate

Murray Walker (1937–)

The dark at the end of the day.

(1966)

etching and aquatint

Artist: Kempf, Franz. | Title: The dark changes | Date: 1964 | Technique: etching, aquatint and roulette, printed with plate te | Copyright: © Franz Kempf

Franz Kempf (1926–2020)

The dark changes

(1964)

etching

Artist: Kempf, Franz. | Title: The dark changes. | Date: 1965 | Technique: aquatint and open-biting, printed in black ink, from one plate

Franz Kempf (1926–2020)

The dark changes.

(1965)

aquatint and open-biting

Artist: Waller, Christian. | Title: The Daughter of the Sun | Date: 1932 | Technique: lithograph, printed in black ink, from one zinc plate

Christian Waller (1894–1954)

The Daughter of the Sun

(1932)

lithograph

Artist: Slawik, Bernard. | Title: The day after tomorrow | Date: 1981 | Technique: etching, aquatint printed with plate-tone

Bernard Slawik (1904–1991)

The day after tomorrow

(1981)

etching

Artist: Goodhart, J.C. | Title: The day shift, Proprietary Mine, Broken Hill | Date: 1926 | Technique: etching and aquatint, printed in brown ink, from one plate with pencil addition

J.C. Goodhart (1873–1952)

The day shift, Proprietary Mine, Broken Hill

(1926)

etching and aquatint

Artist: COLEING, Tony | Title: The de flower machine, or study for a sculpture. | Date: 1975 | Technique: screenprint, printed in colour, from five stencils

Tony Coleing (1942–)

The de flower machine, or study for a sculpture.

(1975)

screenprint

Artist: COLEING, Tony | Title: The de flower machine, or study for a sculpture. | Date: 1975 | Technique: screenprint, printed in colour, from five stencils

Tony Coleing (1942–)

The de flower machine, or study for a sculpture.

(1975)

screenprint

Artist: Gleeson, William. | Title: The Dead Christ | Date: 1955 | Technique: linocut, printed in colour, from four blocks | Copyright: This work appears on screen courtesy of the artist

William Gleeson (1927–1999)

The Dead Christ

(1955)

linocut

Artist: Gleeson, William. | Title: The dead Christ | Date: 1955 | Technique: linocut, printed in colour, from four blocks | Copyright: This work appears on screen courtesy of the artist

William Gleeson (1927–1999)

The dead Christ

(1955)

linocut

Artist: Thorpe, Lesbia. | Title: The dead house | Technique: linocut, printed in colour, from two blocks

Lesbia Thorpe (1919–2009)

The dead house

linocut

Title: The dead house | Technique: linocut, printed in black and blue ink, from two blocks

The dead house

linocut

Artist: Taylor, John H. | Title: The dead kangaroo | Date: 1984 | Technique: linocut, printed in black ink, from one block

John H. Taylor (1921–)

The dead kangaroo

(1984)

linocut

Artist: SIDMAN, William | Title: The dead sparrow | Date: 1890s | Technique: etching, printed in black ink with plate-tone, from one copper plate

William Sidman (1847–1918)

The dead sparrow

(1890s)

etching

Artist: Palmer, Ethleen. | Title: The dead trees | Date: 1949 | Technique: screenprint, printed in colour, from multiple stencils

Ethleen Palmer (1906–1958)

The dead trees

(1949)

screenprint

Artist: Newmarch, Ann. | Title: The death card | Date: 1979 | Technique: screenprint, printed in colour, from multiple stencils

Ann Newmarch (1945–2022)

The death card

(1979)

screenprint

Artist: Coveny, Christopher. | Title: The death of Foulon (Tale of Two Cities). | Date: 1882 | Technique: etching, printed in black ink, from one plate

Christopher Coveny (1846–1941)

The death of Foulon (Tale of Two Cities).

(1882)

etching

Artist: Barwell, Jennifer. | Title: (The death of Lazarus). | Date: (1955) | Technique: softground etching and aquatint printed in brown ink from one plate

Jennifer Barwell (1932–)

(The death of Lazarus).

((1955))

softground etching and aquatint printed in brown ink from one plate