Browse: T

WORKS 1181 – 1200 of 4128 IMAGES ONLY
Artist: Coveny, Christopher. | Title: The fall of Mr Winkle on the ice. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Christopher Coveny (1846–1941)

The fall of Mr Winkle on the ice.

(1882)

etching

Artist: Ragless, Max. | Title: The fallen branch | Date: 1934 | Technique: aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: © Max Ragless

Max Ragless (1901–1981)

The fallen branch

(1934)

aquatint and drypoint

Artist: Armstrong, Ian. | Title: (The family). | Date: 1950s | Technique: linocut, printed in black ink, from one block

Ian Armstrong (1923–2005)

(The family).

(1950s)

linocut

Artist: Irvine, Greg. | Title: The fan. | Date: 1987 | Technique: screenprint, printed in colour, from ten stencils

Greg Irvine (1946–)

The fan.

(1987)

screenprint

Artist: van RAALTE, Henri | Title: The far shore | Date: 1921 | Technique: drypoint, printed in brown ink, from one plate

Henri Van Raalte (1881–1929)

The far shore

(1921)

drypoint

Title: The farlie steam carriage. | Date: 1869 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

The farlie steam carriage.

(1869)

lithograph

Artist: Groblicka, Lidia. | Title: The farm [1] | Date: 1956 | Technique: woodcut, printed in black ink, from one block

Lidia Groblicka (1933–2012)

The farm [1]

(1956)

woodcut

Artist: MACQUEEN, Mary | Title: The farmer's daughter | Date: 1962 | Technique: lithograph, printed in black ink, from one plate | Copyright: Courtesy Paulette Calhoun, for the estate of Mary Macqueen

Mary Macqueen (1912–1994)

The farmer's daughter

(1962)

lithograph

Artist: ROSENGRAVE, Harry | Title: The farmyard | Date: 1954 | Technique: lithograph, printed in black ink, from one plate

Harry Rosengrave (1899–1986)

The farmyard

(1954)

lithograph

Artist: SHEARER, Mitzi | Title: The faun's afternoon out | Date: 1978 | Technique: etching, printed in green ink with plate-tone, from one plate, hand-coloured with felt-tipped pen

Mitzi Shearer (1909–1995)

The faun's afternoon out

(1978)

etching

Artist: SHEARER, Mitzi | Title: The faun's afternoon out | Date: 1978 | Technique: etching, printed in green ink with plate-tone, from one plate, hand-coloured in felt-tipped pen

Mitzi Shearer (1909–1995)

The faun's afternoon out

(1978)

etching

Artist: Robinson, Roland. | Title: The feathered serpent | Date: 1956 | Technique: screenprint, printed in colour, from multiple stencils

Roland Robinson (1912–1992)

The feathered serpent

(1956)

screenprint

Artist: Wood., C. Dudley. | Title: The Federal Hotel, Melbourne | Date: c.1950 | Technique: screenprint, printed in colour, from multiple stencils

C. Dudley Wood. (1905–1980)

The Federal Hotel, Melbourne | 547 Collins Street

(c.1950)

screenprint

Artist: PROUT, John Skinner | Title: The female factory from Proctor's Quarry | Date: 1844 | Technique: lithograph, printed in colour, from two stones

John Skinner Prout (1805–1876)

The female factory from Proctor's Quarry

(1844)

lithograph

Artist: Sharp, Martin. | Title: The Festival of Sydney 1981 | Date: 1980 | Technique: screenprint, printed in colour, from five stencils

Martin Sharp (1942–2013)

The Festival of Sydney 1981

(1980)

screenprint

Artist: Hopkins, Livingston. | Title: The fiddle doctor | Date: 1888 | Technique: etching, printed in brown ink, from one plate

Livingston Hopkins (1846–1927)

The fiddle doctor

(1888)

etching

Artist: UNKNOWN | Title: The field, National Gallery of Victoria | Date: 1968 | Technique: screenprint, printed in colour, from multiple stencils

UNKNOWN

The field, National Gallery of Victoria

(1968)

screenprint

Artist: French, Len. | Title: (The fifth day). | Date: (1955) | Technique: lithograph, printed in black ink, from one plate | Copyright: © Leonard French. Licensed by VISCOPY, Australia

Len French (1928–2017)

(The fifth day).

((1955))

lithograph

Artist: MEYER, Bill | Title: The final gap. | Date: 1980 | Technique: screenprint, printed in seven colours, from multiple screens (half tone photo and charcoal on acetate for indirect stencils) | Copyright: © Bill Meyer

Bill Meyer (1942–)

The final gap.

(1980)

screenprint

Artist: Kossatz, Les. | Title: The final pen | Date: 1975 | Technique: photo-lithograph, printed in colour, from multiple stones [or plates] | Copyright: © Les Kossatz. Licensed by VISCOPY, Australia

Les Kossatz (1943–2011)

The final pen

(1975)

photo-lithograph