Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse: T

WORKS 1181 – 1200 of 4128 IMAGES ONLY

Sort By:

Results per page:

Artist: Coveny, Christopher. | Title: The fall of Mr Winkle on the ice. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Artist: Ragless, Max. | Title: The fallen branch | Date: 1934 | Technique: aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: © Max Ragless

Artist: Armstrong, Ian. | Title: (The family). | Date: 1950s | Technique: linocut, printed in black ink, from one block

Artist: Irvine, Greg. | Title: The fan. | Date: 1987 | Technique: screenprint, printed in colour, from ten stencils

Artist: van RAALTE, Henri | Title: The far shore | Date: 1921 | Technique: drypoint, printed in brown ink, from one plate

Title: The farlie steam carriage. | Date: 1869 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Artist: Groblicka, Lidia. | Title: The farm [1] | Date: 1956 | Technique: woodcut, printed in black ink, from one block

Artist: MACQUEEN, Mary | Title: The farmer's daughter | Date: 1962 | Technique: lithograph, printed in black ink, from one plate | Copyright: Courtesy Paulette Calhoun, for the estate of Mary Macqueen

Artist: ROSENGRAVE, Harry | Title: The farmyard | Date: 1954 | Technique: lithograph, printed in black ink, from one plate

Artist: SHEARER, Mitzi | Title: The faun's afternoon out | Date: 1978 | Technique: etching, printed in green ink with plate-tone, from one plate, hand-coloured with felt-tipped pen

Artist: SHEARER, Mitzi | Title: The faun's afternoon out | Date: 1978 | Technique: etching, printed in green ink with plate-tone, from one plate, hand-coloured in felt-tipped pen

Artist: Robinson, Roland. | Title: The feathered serpent | Date: 1956 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Wood., C. Dudley. | Title: The Federal Hotel, Melbourne | Date: c.1950 | Technique: screenprint, printed in colour, from multiple stencils

Artist: PROUT, John Skinner | Title: The female factory from Proctor's Quarry | Date: 1844 | Technique: lithograph, printed in colour, from two stones

Artist: Sharp, Martin. | Title: The Festival of Sydney 1981 | Date: 1980 | Technique: screenprint, printed in colour, from five stencils

Artist: Hopkins, Livingston. | Title: The fiddle doctor | Date: 1888 | Technique: etching, printed in brown ink, from one plate

Artist: UNKNOWN | Title: The field, National Gallery of Victoria | Date: 1968 | Technique: screenprint, printed in colour, from multiple stencils

Artist: French, Len. | Title: (The fifth day). | Date: (1955) | Technique: lithograph, printed in black ink, from one plate | Copyright: © Leonard French. Licensed by VISCOPY, Australia

Artist: MEYER, Bill | Title: The final gap. | Date: 1980 | Technique: screenprint, printed in seven colours, from multiple screens (half tone photo and charcoal on acetate for indirect stencils) | Copyright: © Bill Meyer

Artist: Kossatz, Les. | Title: The final pen | Date: 1975 | Technique: photo-lithograph, printed in colour, from multiple stones [or plates] | Copyright: © Les Kossatz. Licensed by VISCOPY, Australia

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login